Sex and Film: The Erotic in British, American and World Cinema, Forshaw Barry
Автор: Burns James Название: Cinema and Society in the British Empire, 1895-1940 ISBN: 113730801X ISBN-13(EAN): 9781137308016 Издательство: Springer Рейтинг: Цена: 74530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: By 1940 going to the movies was the most popular form of public leisure in Britain`s empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Автор: Greven David Название: Representations of Femininity in American Genre Cinema ISBN: 1137354992 ISBN-13(EAN): 9781137354990 Издательство: Springer Рейтинг: Цена: 25150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation.
Автор: Wilson Ron Название: The Gangster Film: Fatal Success in American Cinema ISBN: 0231172079 ISBN-13(EAN): 9780231172073 Издательство: Wiley Рейтинг: Цена: 19000.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume examines the gangster film in its historical context with an emphasis on the ways the image of the gangster has adapted and changed as a result of socio-cultural circumstances. From its origins in Progressive-era reforms to its use as an indictment of corporate greed, the gangster film has often provided a template for critiquing American ideas and values concerning individualism, success, and business acumen. The gangster genre has also been useful in critically examining race and ethnicity in American culture in terms of `otherness`.--Provided by publisher
Автор: Combs C. Scott Название: Deathwatch: American Film, Technology, and the End of Life ISBN: 0231163479 ISBN-13(EAN): 9780231163477 Издательство: Wiley Рейтинг: Цена: 29570.00 T Наличие на складе: Невозможна поставка. Описание: The first book to analyze American cinema`s long history of representing death on screen, Deathwatch considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. Through readings of attractions-based cinema, narrative films, early sound cinema, and films using voice-over or images of medical technology, C. Scott Combs connects the slow or static process of dying to formal film innovation throughout the twentieth century. He looks at Thomas Edison`s Electrocuting an Elephant (1903), D. W. Griffith`s The Country Doctor (1909), John Ford`s How Green Was My Valley (1941), Billy Wilder`s Sunset Boulevard (1950), Stanley Kubrick`s 2001: A Space Odyssey (1968), and Clint Eastwood`s Million Dollar Baby (2004), among other films, to argue against the notion that film cannot capture the end of life. Instead, he shows how the act of dying in film occurs more than once and in more than one place, understanding death in cinema as constantly in flux, wedged between technological precision and embodied perception.
Автор: Keeton Patricia Название: American War Cinema and Media Since Vietnam ISBN: 1137277882 ISBN-13(EAN): 9781137277886 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Автор: Mekas Jonas Название: Movie Journal: The Rise of New American Cinema, 1959-1971 ISBN: 0231175574 ISBN-13(EAN): 9780231175579 Издательство: Wiley Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A new edition of the classic work that defined the aesthetics, techniques, and identity of American avant-garde film.
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