Invisible Art of Film Music, MacDonald Laurence E.
Автор: Silver Alain, Ursini James Название: Film Noir (BU) ISBN: 3836561697 ISBN-13(EAN): 9783836561693 Издательство: Taschen Рейтинг: Цена: 17710.00 T Наличие на складе: Ожидается поступление. Описание: Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN`s top 50 noir classics. A must for amateurs and aficionados alike.
Автор: Bacher Hans P. Название: Vision: Color and Composition for Film ISBN: 1786272202 ISBN-13(EAN): 9781786272201 Издательство: Laurence King Рейтинг: Цена: 33790.00 T Наличие на складе: Ожидается поступление. Описание: Featuring hundreds of carefully hand-crafted illustrations as well as significant tuition on how to best compose and use images to create the most powerful frames, this book is potentially Hans P. Bacher's life's work encapsulated in one volume. Here, the internationally renowned production designer shares his expertise in an easy-to-follow and imaginative way - giving tips, exercises, and a depth of knowledge garnered from a lifetime in the industry.
Bacher's production designs have established the look of many seminal animated films such as The Lion King, Balto, Mulan and Beauty and the Beast, so fans of his work will be delighted. While keeping the focus on storytelling, Bacher instructs readers in the art of animated cinematography with the ever-present aim of soliciting an emotional response from the audience. Vision: Color and Composition for Film represents an amazing depth of experience - and is visually arresting to boot.
Автор: Arijon, Daniel Название: Grammar of the film language ISBN: 187950507X ISBN-13(EAN): 9781879505070 Издательство: Неизвестно Рейтинг: Цена: 38180.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A unique magnum opus covering the visual narrative techniques that form the `language` of filmmaking.
Название: 300: Rise of an Empire: The Art of the Film) ISBN: 1781167826 ISBN-13(EAN): 9781781167823 Издательство: Titan books ltd. Рейтинг: Цена: 25840.00 T Наличие на складе: Поставка под заказ. Описание: The action adventure 300: Rise of an Empire is the highly anticipated follow-up to the 2007 international blockbuster 300. This oversized hardback companion book to the new movie features production art, photography from the acclaimed Clay Enos (Watchmen Portraits) and input from producer Zack Snyder and director Noam Murro.
Автор: Vaz, Mark Cotta Название: Star trek: The art of the film ISBN: 1848566204 ISBN-13(EAN): 9781848566200 Издательство: Titan books ltd. Рейтинг: Цена: 25840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book, published in 1987, is an explicitly comparative, anthropological analysis of the societies of the eastern and western highlands of Papua New Guinea. This book argues that the highlands cannot be treated as a homogeneous region, socially, culturally, historically or environmentally and that upon this divergence D. K. Feil`s study focuses on the comparative treatment of these regions.
Автор: Aperlo Peter Название: Batman V Superman: Dawn of Justice: The Art of the Film ISBN: 1783297492 ISBN-13(EAN): 9781783297498 Издательство: Titan books ltd. Рейтинг: Цена: 31910.00 T Наличие на складе: Ожидается поступление. Описание: Batman v Superman: Dawn of Justice: The Art at the Film, takes tans deep into this world, accompanied by insight and interviews with cast and crew, including an afterward by director Zack Snyder. Packed with stunning concept art, Zack Snyder`s storyboards, blueprints, costume detail and behind-the-scenes shots from the set.
Автор: Pack Susan Название: Film Posters of the Russian Avant-Garde (Bibliotheca Universalis) ISBN: 383655948X ISBN-13(EAN): 9783836559485 Издательство: Taschen Рейтинг: Цена: 14170.00 T Наличие на складе: Невозможна поставка. Описание: Back in the USSR 250 film posters capture the cultural energy of the pre-Stalin era
At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.
Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.
About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight -- never bore, always excite
Text in English, French, and German
Автор: Salisbury, Mark Название: Prometheus: The Art of the Film ISBN: 1781161097 ISBN-13(EAN): 9781781161098 Издательство: Titan books ltd. Рейтинг: Цена: 25840.00 T Наличие на складе: Невозможна поставка. Описание: Produced with the full co-operation of the filmmakers, this book showcases production design art and behind the scenes photos.
Автор: MacDonald Laurence E Название: Invisible Art of Film Music ISBN: 081088397X ISBN-13(EAN): 9780810883970 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 109830.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant--if often unrealized--role in the viewer's enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain, and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.
Автор: Bacher, Hans.P Название: Sketchbook: Composition Studies for Film ISBN: 1780675968 ISBN-13(EAN): 9781780675961 Издательство: Laurence King Рейтинг: Цена: 16180.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans's work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail.
Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image.
This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.
Benjamin Christensen’s H?xan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, H?xan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female “hysterics” and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how H?xan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. H?xan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.” Baxstrom and Meyers reveal how Christensen’s attempt to tame the irrationality of “the witch” risked validating the very "nonsense" that such an effort sought to master and dispel. H?xan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there.
Автор: Ingrid Stigsdotter Название: Making the invisible visible ISBN: 9188661857 ISBN-13(EAN): 9789188661852 Издательство: Gazelle Book Services Рейтинг: Цена: 35680.00 T Наличие на складе: Поставка под заказ. Описание: As film stars, actresses have contributed to the film industry's glamorous surface. To talk about women in film as "invisible" may thus seem odd. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented. This is true of contemporary film culture, and has been true historically, despite significant variations between countries/geographical areas, historical time periods and different roles/professions in film production, distribution and exhibition. Considering women's gradually increasing participation in the paid workforce during the 20th century, women's representation in film work might also be expected to increase gradually from the beginning of cinema and onwards. However, as the Women Film Pioneers Project has suggested, the number of women who "at all levels inside and outside the Hollywood film industry" was greater in first two decades of cinema "than at any time since". This may partly reflect the fact that it was easier for women to enter the film industry in an early, experimental phase, before it had become apparent how lucrative the medium of film could be. Nevertheless there is arguably a need to extend the attention on women's contributions to film history beyond the silent era, making visible what has been absent in traditional film history books, and reclaim women's agency in a wider film historical perspective. This anthology represents a step in this direction. The articles included in the book deal with women's agency in a wide range of roles, in film production, exhibition and criticism, but also with new perspectives on stars/actresses and their agency, and extending focus to include LGBT and queer identities. We pay particular attention to the challenges and opportunities that digitization offers for projects of this kind, including a wider range of methods, subjects and themes.
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