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The Cinema of Agn?s Varda: Resistance and Eclecticism, Benezet Delphine


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Цена: 30850T   38563 T -20%
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Автор: Benezet Delphine
Название:  The Cinema of Agn?s Varda: Resistance and Eclecticism   (Дельфин Бенезет: Кинематограф Агнесы Варды: Сопротивление и эклектика)
Издательство: Wiley
Классификация:
ISBN: 0231169744
ISBN-13(EAN): 9780231169745
ISBN: 0-231-16974-4
ISBN-13(EAN): 978-0-231-16974-5
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.454 кг.
Дата издания: 17.06.2014
Серия: Directors` cuts
Язык: ENG
Иллюстрации: Illustrations (black and white)
Размер: 234 x 156 x 15
Читательская аудитория: Professional & vocational
Рейтинг:
Поставляется из: Англии
Описание: Agns Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this directors multifaceted rveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
Дополнительное описание:


The Cinema of Agn?s Varda: Resistance and Eclecticism

Автор: Benezet Delphine
Название: The Cinema of Agn?s Varda: Resistance and Eclecticism
ISBN: 0231169752 ISBN-13(EAN): 9780231169752
Издательство: Wiley
Рейтинг:
Цена: 10450 T
Наличие на складе: Есть
Описание: Agn's Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted r'veries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.


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