Cambodia, Sothirak Pou

Автор: Ezra Pound, Olga Rudge
Название: Ezra Pound`s and Olga Rudge`s The Blue Spill: A Manuscript Critical Edition
ISBN: 1474281052 ISBN-13(EAN): 9781474281058
Издательство: Bloomsbury Academic
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Цена: 179520.00 T
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Описание: Written during the Italian winter of 1930, The Blue Spill is an unfinished detective novel written by Ezra Pound – the leading figure of Modernist poetry in the 20th century – and his long-time companion Olga Rudge. Published for the first time in this authoritative critical edition, the novel reflects Pound’s voracious reading of popular fiction as it echoes and parodies such writers as Agatha Christie, Dorothy L. Sayers and P.G. Wodehouse. Based on the original manuscripts of the novel, this critical edition includes annotation and textual commentary throughout. The book also includes critical essays exploring the contexts of the work, from the dynamics of artistic collaboration to the growing popularity of detective fiction at the beginning of the 20th-century and Pound’s wider experiments in multimedia artistry. Taken together this unique publication sheds new light on the relationship between the literary avant-garde and popular culture in the Modernist period.

Автор: Paul Stasi, Josephine Park
Название: Ezra Pound in the Present: Essays on Pound`s Contemporaneity
ISBN: 1501307711 ISBN-13(EAN): 9781501307713
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
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Описание: Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound’s work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”