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Zurbaran - Ausgewahlte Gemalde 1625-1664 [German]


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Цена: 28680.00T
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Название:  Zurbaran - Ausgewahlte Gemalde 1625-1664 [German]
Перевод названия: Зурбаран 1625-1664
ISBN: 9783829605106
Издательство: Schirmer/Mosel Verlag
Классификация:
ISBN-10: 3829605102
Обложка/Формат: Hardcover
Страницы: 131
Вес: 0.00 кг.
Дата издания: 01.11.2010
Язык: GERM
Размер: 310 x 268
Поставляется из: Германии

      Новое издание
Zurbaran: Selected Paintings (1625-1664)

Автор: Nooteboom
Название: Zurbaran: Selected Paintings (1625-1664)
ISBN: 3829605455 ISBN-13(EAN): 9783829605458
Издательство: Schirmer/Mosel Verlag
Цена: 28680 T
Наличие на складе: Невозможна поставка.
Описание: Francisco de Zurbar n (1598-1664) was one of the great Spanish painters of the Baroque period. Today, his idiosyncratic, very Catholic imagery fascinates us even as it has become alien and, in essence, inaccessible. In its aesthetic-religious dimension, his work-- indebted to the Spanish mysticism of the sixteenth and seventeenth centuries--possesses a unique depth and rigor. Christ on the cross, dead martyrs and saints in reverie, meditating monks, the superiors of monastic orders that today have almost ceased to exist: In his mostly dark paintings, they are depicted so realistically, one feels one could reach out and touch them. And yet they also seem to be emissaries from another world. For Zurbar n, a contemporary of Vel zquez and Murillo, painting and religious meditation were complementary aspects of spiritual observance. Perhaps it is precisely this quality in his art that makes his paintings the center of our interest today.


Zurbaran: Selected Paintings (1625-1664)

Автор: Nooteboom
Название: Zurbaran: Selected Paintings (1625-1664)
ISBN: 3829605455 ISBN-13(EAN): 9783829605458
Издательство: Schirmer/Mosel Verlag
Цена: 28680.00 T
Наличие на складе: Невозможна поставка.
Описание: Francisco de Zurbar n (1598-1664) was one of the great Spanish painters of the Baroque period. Today, his idiosyncratic, very Catholic imagery fascinates us even as it has become alien and, in essence, inaccessible. In its aesthetic-religious dimension, his work-- indebted to the Spanish mysticism of the sixteenth and seventeenth centuries--possesses a unique depth and rigor. Christ on the cross, dead martyrs and saints in reverie, meditating monks, the superiors of monastic orders that today have almost ceased to exist: In his mostly dark paintings, they are depicted so realistically, one feels one could reach out and touch them. And yet they also seem to be emissaries from another world. For Zurbar n, a contemporary of Vel zquez and Murillo, painting and religious meditation were complementary aspects of spiritual observance. Perhaps it is precisely this quality in his art that makes his paintings the center of our interest today.


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