de la Rochere Martine Hennard Dutheil Reading, Translating, Rewriting 9780814336342

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Автор: de la Rochere Martine Hennard Dutheil
Название: Reading, Translating, Rewriting
ISBN: 9780814336342
Издательство: Mare Nostrum (Eurospan)
Классификация:

Устный и письменный перевод

Литература: история и критика

Литературоведение: художественная литература, романисты и прозаики

Фольклор, мифы и легенды

ISBN-10: 0814336345
Обложка/Формат: Paperback
Страницы: 384
Вес: 0.59 кг.
Дата издания: 30.11.2013
Серия: Series in fairy-tale studies
Язык: English
Иллюстрации: 27 illustrations
Размер: 153 x 229 x 24
Читательская аудитория: Professional and scholarly
Ключевые слова: Translation & interpretation,Literature: history & criticism,Folklore, myths & legends
Подзаголовок: Angela carter`s translational poetics
Рейтинг:
Поставляется из: Англии
Описание: In translating Charles Perraults seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernise the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carters Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carters The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carters own writing practice. Hennard combines close analyses of both texts with an attention to Carters active role in the translation and composition process to explore this previously unstudied aspect of Carters work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber.Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perraults tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carters Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings.While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings. Reading, Translating, Rewriting is informative reading for students and teachers of fairy-tale studies and translation studies.

Reading, Translating, Rewriting, de la Rochere Martine Hennard Dutheil