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Cinema, Badiou Alain


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Автор: Badiou Alain
Название:  Cinema
ISBN: 9780745655680
Издательство: Wiley
Классификация:
ISBN-10: 0745655688
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.45 кг.
Дата издания: 05.07.2013
Серия: Literature/Literary Studies
Язык: English
Размер: 224 x 148 x 17
Читательская аудитория: Professional & vocational
Ключевые слова: Literature: history & criticism,Media studies
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: * Alain Badiou is one of the most widely read and influential philosophers in France today. * This volume brings together Badiou s writings on cinema from the last fifty years. The topics range from the key filmmakers of modernity (Tati, Oliveira, Antonioni, Godard, etc.

Cinema anime

Автор: Brown, Steven T.
Название: Cinema anime
ISBN: 0230606210 ISBN-13(EAN): 9780230606210
Издательство: Springer
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Цена: 41910.00 T
Наличие на складе: Есть
Описание: This collection charts the terrain of contemporary Japanese animation, one of the most explosive forms of visual culture to emerge at the crossroads of transnational cultural production in the last twenty-five years.

Cinema, Philosophy, Bergman

Автор: Livingston, Paisley
Название: Cinema, Philosophy, Bergman
ISBN: 0199570175 ISBN-13(EAN): 9780199570171
Издательство: Oxford Academ
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Цена: 60190.00 T
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Описание: Can cinema be a medium for philosophy? If so, how is the philosophizing done? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman`s cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.

Filmmaking by the Book : Italian Cinema and Literary Adaptation

Автор: Marcus, Millicent
Название: Filmmaking by the Book : Italian Cinema and Literary Adaptation
ISBN: 080184455X ISBN-13(EAN): 9780801844553
Издательство: Wiley
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Цена: 29040.00 T
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Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.

Akira Kurosawa and Intertextual Cinema

Автор: Goodwin, James
Название: Akira Kurosawa and Intertextual Cinema
ISBN: 0801846617 ISBN-13(EAN): 9780801846618
Издательство: Wiley
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Цена: 29570.00 T
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Описание: In this text, Goodwin draws on contemporary theoretical and critical approaches to explore Kurosawa`s use of a variety of texts to create cinema that is both intertextual and intercultural. He examines lesser-known works as well as major films.

Cahiers du cinema

Название: Cahiers du cinema
ISBN: 0674090659 ISBN-13(EAN): 9780674090651
Издательство: Wiley
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Цена: 36910.00 T
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Описание:

In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory critiques of popular American movies were attaining the greatest notoriety.

As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.

The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.


The Cinema of Satyajit Ray

Автор: Darius Cooper
Название: The Cinema of Satyajit Ray
ISBN: 0521629802 ISBN-13(EAN): 9780521629805
Издательство: Cambridge Academ
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Цена: 22170.00 T
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Описание: Darius Cooper`s study of Ray is the first to examine his rich and varied work from a social and historical perspective. The most comprehensive treatment of Ray`s work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.

Bollywood Cinema: Temples of Desire

Автор: MISHRA, VIJAY
Название: Bollywood Cinema: Temples of Desire
ISBN: 0415930146 ISBN-13(EAN): 9780415930147
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian culture. He examines this through the dual methodologies of postcolonial studies and film theory.

Slow Movies: Countering the Cinema of Action

Автор: Jaffe Ira
Название: Slow Movies: Countering the Cinema of Action
ISBN: 0231169795 ISBN-13(EAN): 9780231169790
Издательство: Wiley
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Цена: 26400.00 T
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Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.

First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46

Название: First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
ISBN: 0822962241 ISBN-13(EAN): 9780822962243
Издательство: Mare Nostrum (Eurospan)
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Цена: 36030.00 T
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Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

Cinema of Bela Tarr

Автор: Kovacs Andras Balint
Название: Cinema of Bela Tarr
ISBN: 0231165307 ISBN-13(EAN): 9780231165303
Издательство: Wiley
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Цена: 84480.00 T
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Описание: The Cinema of B'la Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. Andrs Blint Kovcs traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

Cinema and Society in the British Empire, 1895-1940

Автор: Burns James
Название: Cinema and Society in the British Empire, 1895-1940
ISBN: 113730801X ISBN-13(EAN): 9781137308016
Издательство: Springer
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Цена: 74530.00 T
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Описание: By 1940 going to the movies was the most popular form of public leisure in Britain`s empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

Cinema of Aki Kaurismaki

Автор: Nestingen Andrew
Название: Cinema of Aki Kaurismaki
ISBN: 0231165587 ISBN-13(EAN): 9780231165587
Издательство: Wiley
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Цена: 73920.00 T
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Описание: Aki Kaurismki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.


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