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Daumier: Visions of Paris


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Автор: Berger John
Название:  Daumier: Visions of Paris
Перевод названия: Джон Бергер: Домье. Виды Парижа
ISBN: 9781907533327
Издательство: ACC-distribution titles
Классификация:

ISBN-10: 190753332X
Обложка/Формат: Hardback
Страницы: 224
Вес: 1.55 кг.
Дата издания: 11.04.2013
Язык: English
Иллюстрации: in colour throughout
Размер: 288 x 249 x 26
Читательская аудитория: General (us: trade)
Подзаголовок: Visions of paris
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Honore Daumier (1808-1879) is perhaps best known for his political and social caricatures, precise and witty observations of life in nineteenth-century France. This authoritative new study provides a long-overdue assessment of his entire oeuvre, bringing together his paintings, sculptures, watercolours, drawings and lithographs, all of which were greatly admired in his lifetime. Later feted by Van Gogh and Picasso, Daumiers art continues to be appreciated by such contemporary artists as Paula Rego and Peter Doig. Lavishly illustrated with works from throughout Daumiers career, including the satirical lithographs that made his name, the book focuses on the innovative paintings and drawings that formed his more private output. These lesser-known works reveal the artists ambitious range of subject-matter, from Cervantess Don Quixote to the complete spectrum of Parisian street society, and confirm Daumiers unique place in nineteenth-century French art.

Drawings of Daumier & Millet

Автор: Laughton
Название: Drawings of Daumier & Millet
ISBN: 0300047649 ISBN-13(EAN): 9780300047646
Издательство: Wiley yUP
Цена: 51150.00 T
Наличие на складе: Поставка под заказ.
Описание: Daumier and Millet, two of the most important French artists of the mid 19th century, each produced drawings that were innovative and influential. This book by Bruce Laughton - a critical and comparative study of these drawings - investigates the artistic relationship that existed between Daumier and Millet. Laughton suggests that the two worked at a critical phase in the development of drawing as a language of expression in French art and that a study of their work reveals how new methods of conception and perception in drawing came about.

Laughton summarizes the history of the personal relationship between Daumier and Millet from their first meeting in the 1840s. He defines the kind of drawing that they practiced and places it in the context of draftsmanship in France in the first half of the 19th century. He then analyzes their artistic activities during the critical years of 1845-51, situating them in the social and political history of the Second Republic and the inauguration of the Second Empire.

Next Laughton compares the style and meaning of the urban and rural images in their drawings during the period from 1851 to 1865. In the final section he discusses certain other similarities in their work: the extent to which their landscape drawings were precursors of Impressionist art; the ways that their illustrations were related to literature of the period; and the effect of the political disasters of 1870-71 on the personal imagery that emerges in their later work. Laughton's definition of drawing is wider than that normally used.

He includes lithographs, woodcuts, charcoal, chalk and pencil drawings, pastels and watercolours, and even the graphic treatment of works in oil on canvas in his discussion of creative processes that, he argues, were invented by these two artists to serve their respective needs.


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