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John Milton, Bradford Richard


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Автор: Bradford Richard
Название:  John Milton
Перевод названия: Ричард Брэдфорд: Джон Милтон
ISBN: 9781843919261
Издательство: Неизвестно
Классификация:


ISBN-10: 1843919265
Обложка/Формат: Paperback
Страницы: 120
Вес: 0.22 кг.
Дата издания: 22.02.2013
Серия: Brief lives
Язык: English
Размер: 158 x 197 x 15
Читательская аудитория: General (us: trade)
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Поставляется из: Англии
Описание:

A concise, layered look at the life and work of one of the most preeminent writers in the English language

William Shakespeare and John Milton are the two most important poets in English. Shakespeares achievements are unchallengeable and secure, while Miltons claim to eminence is far more controversial. He wrote the only poem in English recognized as an epic, Paradise Lost, a poem which challenged the beliefs and presuppositions of all of its readers. As a literary writer his political and historical significance is unique; he was at the center, involved in, the most traumatic period of modern British history, and this left an imprint on his writings. Richard Bradford addresses two key topics in this short account of Miltons life and work: The parallels between Paradise Lost and the events in England of the mid-to-late 17th century; and the question of whether Miltons writings reflect his sense of despair at mans apparent failure to make the best of the world after the Fall and is thus the first testimony of his religious doubt.


Graphic Poetics

Автор: Richard Bradford
Название: Graphic Poetics
ISBN: 1441175172 ISBN-13(EAN): 9781441175175
Издательство: Bloomsbury
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Цена: 33650.00 T
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Описание: 'Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is radical, adapting Wollheim's 'twofold thesis' - grounded in the aesthetics of visual art - to the author's own concept of the 'double pattern'. Graphic Poetics challenges the accepted protocols of reading and interpreting verse and considers how poetry is involved in a dialogue with such theoreticians as Derrida. Introducing a new perspective on how poems work and on how they generate effects, it shows how poets use devices previously unrecognised and unacknowledged, techniques which are more commonly associated with visual arts than with literature.


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