Le Spleen de Paris (Petits Poemes en Prose) (Le), Baudelaire, Charles

Автор: Baudelaire Charles
Название: Selected Poems from Les Fleurs du mal
ISBN: 1908376406 ISBN-13(EAN): 9781908376404
Издательство: Неизвестно
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Цена: 17920.00 T
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Описание: Jan Owen`s masterly translation captures all of Baudelaire`s passion and anguish in a selection that includes many of Baudelaire`s best known poems - including those banned from 1857 edition - as well as some less familiar ones, with the volume leading up to his great long poem, `The Voyage`, and finishing with the much-loved sonnet `Meditation`.

Автор: Roberto Calasso
Название: La Folie Baudelaire
ISBN: 0241957567 ISBN-13(EAN): 9780241957561
Издательство: Random House - Penguin
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Цена: 11430.00 T
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Описание: With Baudelaire`s critical intelligence as his inspiration, the author ranges through his life and work, focusing on two painters - Ingres and Delacroix - about whom Baudelaire wrote acutely, and then turns to Degas and Manet, who followed in the tracks Baudelaire laid down in his great essay The Painter of Modern Life.

Автор: Bien Gloria
Название: Baudelaire in China
ISBN: 1611493897 ISBN-13(EAN): 9781611493894
Издательство: Rowman & Littlefield Publishers
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Цена: 143610.00 T
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Описание: Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.