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Anish kapoor, Anfam, David Burton, Johanna Salvo, Donna De


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Автор: Anfam, David Burton, Johanna Salvo, Donna De
Название:  Anish kapoor
Перевод названия: Аниш Капур
ISBN: 9780714843698
Издательство: Phaidon Press Ltd.
Классификация:


ISBN-10: 0714843695
Обложка/Формат: Hardback
Страницы: 304
Вес: 3.08 кг.
Дата издания: 30.09.2009
Серия: 20th century living masters
Язык: English
Иллюстрации: Illustrations (chiefly col.)
Размер: 287.00 x 228.60 x 56.90
Читательская аудитория: General (us: trade)
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Поставляется из: Англии
Описание: Born in Bombay and based in London since the 1970s, Anish Kapoor (b 1954) has been a vital force in contemporary art. His work is hermetic but unmistakable, both for its striking abstract forms and for its distinctive use of materials, from the traditional (marble and bronze) to the high-tech (stainless steel and fibreglass).

Uluru & Kata Tjuta Photographs

Автор: Kapoor, Anish
Название: Uluru & Kata Tjuta Photographs
ISBN: 3958292607 ISBN-13(EAN): 9783958292604
Издательство: Thames & Hudson
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Описание: The powerful religious sites of Uluru and Kata Tjuta in the Northern Territory of Australia have been of deep interest to the artist Anish Kapoor since he first visited them in the 1980s. At Uluru he found a landscape of monumental scale which contained intimate and ritually resonant sites. A landscape of hollows and voids which he has read as resonant of primal or even “original” structure. Kapoor describes Uluru as “an object with a perforated skin which lends itself to mythic meaning.”

On his visit in 1991, Kapoor noted in his sketchbook “a white bump on a white wall.” He later made the sculpture When I am Pregnant (1992), describing it as “an object in a state of becoming.” The idea of the proto-object is central to Kapoor’s work. In 2012 Kapoor returned to Uluru and Kata Tjuta. These two photographic volumes trace his journey. They reveal through his eyes the artist’s pre-occupation with form and pre-form, skin and surface in relation to deep interior.

Unbelievable things revealed themselves every day. I felt deeply connected with the place, and with a kind of possible interpretation, a symbolic interpretation of the holes and the strips of stone that seem to be leaning against it. I was amazed, not at the monolith, but at the way the monolith seemed to be made up of symbolic events. Anish Kapoor


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