Collins flower guide, Streeter, David Garrard, Ian
Автор: David Streeter Название: Collins British Wild Flower Guide ISBN: 0007451253 ISBN-13(EAN): 9780007451258 Издательство: HarperCollins UK Рейтинг: Цена: 15830.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Experience the joy of discovering the natural world around you with this beautiful pocket guide to British wild flowers, an inspiration and treat designed to enthral all nature lovers.
Автор: Streeter, David Название: Collins flower guide ISBN: 0007183895 ISBN-13(EAN): 9780007183890 Издательство: HarperCollins UK Рейтинг: Цена: 17590.00 T Наличие на складе: Невозможна поставка. Описание: Featuring all flowering plants, including trees, grasses and ferns, this new field guide is the most complete illustrated, single-volume guide ever published. Leading botanical artists have been specially commissioned to ensure accurate, detailed illustrations. Species are described and illustrated on the same page, with up-to-date authoritative text aiding identification. Plants are arranged by family, with their key features highlighted for quick and easy reference. The text offers a complete account of over 1,900 wild flowers in Britain and Ireland, along with a summary of their European distribution.
Автор: Streeter David Название: Collins Wild Flower Guide ISBN: 0008156751 ISBN-13(EAN): 9780008156756 Издательство: HarperCollins UK Рейтинг: Цена: 21990.00 T Наличие на складе: Поставка под заказ. Описание: Following on from its successful launch in 2009, Collins Wild Flower Guide - the ultimate reference book for wild flower enthusiasts - now enters its second edition.
Автор: Garrard, Laura Название: Colorfield painting ISBN: 1861713738 ISBN-13(EAN): 9781861713735 Издательство: Неизвестно Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: COLORFIELD PAINTING: MINIMAL, COOL, HARD EDGE, SERIAL AND POST-PAINTERLY ABSTRACT ART OF THE SIXTIES TO THE PRESENT
Painting in the 1960s produced some of art's most lyrical and distinctive works: it was termed Colorfield, Hard Edge, Minimal, and post-painterly abstraction, and was linked with Pop Art, Op (or optical) Art, chromatic art, kinetic abstraction, wholistic art, pure-painting, geometric abstraction, ABC Art, Cool Art, Non-gestural Painting, Non- Relationalism, Abstract Mannerism and Abstract Sublime painting. ---
The painters linked in this new study with 'Colorfield', 'Hard Edge' 'Minimal' and 'Post-Painterly Abstraction' painting include Minimal artists such as Brice Marden, Sol LeWitt, Agnes Martin, Ad Reinhardt and Robert Ryman; Colorfield painters such as Helen Frankenthaler, Kenneth Noland, Sam Gilliam and Morris Louis; post-painterly abstractionists such as Frank Stella, David Novros, Richard Diebenkorn, Al Held, Jo Baer and Jules Olitski; and Hard Edge painters such as Ellsworth Kelly, Robert Mangold, Joseph Albers and Elisabeth Murray. ---
Colorfield, Minimal, Hard Edge and Post-Painterly Abstract painting had a distinctly American (and New York) flavour to it, even if it was not produced in America or by US artists. In Bruce Glaser's -Questions to Andre and Judd-, Donald Judd continually stressed the point that the new (Minimal) art was definitely American and non-European. The New World not the Old World. Time and again Judd insisted that the new art was to trying to get away from the European tradition. 'It suits me fine if that's all down the drain', Judd said. 'I'm totally uninterested in European art and I think it's over with.' ---
Many of the Colorfield and Sixties painters have made extremely brilliantly colorful works in the 1960s, then turned back to the sombre colors of grey and black in the late 1980s and 1990s. Painters such as Brice Marden, Frank Stella, Jasper Johns and Jules Olitski are ambiguous about saturated color: they moved back and forth from monochrome greys and blacks to full color. In the late 1980s and the 1990s, painters such as Frank Stella, Ellsworth Kelly, Jules Olitski and Larry Poons moved from bright color to muted monochrome. Mid-1990s works by Frank Stella were unpainted, using instead the natural colors of metal and wood; Brice Marden turned from his luscious monochromes of the 1970s and 1980s to the black-and-white of Chinese calligraphy in the Cold Mountain series and other works. ---
AUTHOR'S NOTE: There are chapters on each of the key painters of the 1960s, whose works continue to inspire and entertain. I have revised the book for this edition, bringing it up to date. I hope readers will discover some new insights into many of their favourite artists.
Fully illustrated, with notes and bibliography. Large format. 220 pages. ISBN 9781861713733.
This third edition has been completely rewritten. --- www.crmoon.com
Автор: Garrard, Mary D. Название: Artemisia gentileschi around 1622 ISBN: 0520228413 ISBN-13(EAN): 9780520228412 Издательство: California UP Рейтинг: Цена: 45980.00 T Наличие на складе: Нет в наличии. Описание: Taking as case studies two paintings of circa 1621-22 attributed to Artemisia, this text examines the ways that identity, gender and market pressures interact both in the artist`s work and in the criticism and conoisseurship that have surrounded it.
Автор: Garrard, Laura Название: Colorfield painting ISBN: 1861714424 ISBN-13(EAN): 9781861714428 Издательство: Неизвестно Рейтинг: Цена: 41370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: COLORFIELD PAINTING: MINIMAL, COOL, HARD EDGE, SERIAL AND POST-PAINTERLY ABSTRACT ART OF THE SIXTIES TO THE PRESENT
Painting in the 1960s produced some of art's most lyrical and distinctive works: it was termed Colorfield, Hard Edge, Minimal, and post-painterly abstraction, and was linked with Pop Art, Op (or optical) Art, chromatic art, kinetic abstraction, wholistic art, pure-painting, geometric abstraction, ABC Art, Cool Art, Non-gestural Painting, Non- Relationalism, Abstract Mannerism and Abstract Sublime painting.
The painters linked in this new study with 'Colorfield', 'Hard Edge' 'Minimal' and 'Post-Painterly Abstraction' painting include Minimal artists such as Brice Marden, Sol LeWitt, Agnes Martin, Ad Reinhardt and Robert Ryman; Colorfield painters such as Helen Frankenthaler, Kenneth Noland, Sam Gilliam and Morris Louis; post-painterly abstractionists such as Frank Stella, David Novros, Richard Diebenkorn, Al Held, Jo Baer and Jules Olitski; and Hard Edge painters such as Ellsworth Kelly, Robert Mangold, Joseph Albers and Elisabeth Murray.
Colorfield, Minimal, Hard Edge and Post-Painterly Abstract painting had a distinctly American (and New York) flavour to it, even if it was not produced in America or by US artists. In Bruce Glaser's -Questions to Andre and Judd-, Donald Judd continually stressed the point that the new (Minimal) art was definitely American and non-European. The New World not the Old World. Time and again Judd insisted that the new art was to trying to get away from the European tradition. 'It suits me fine if that's all down the drain', Judd said. 'I'm totally uninterested in European art and I think it's over with.'
Many of the Colorfield and Sixties painters have made extremely brilliantly colorful works in the 1960s, then turned back to the sombre colors of grey and black in the late 1980s and 1990s. Painters such as Brice Marden, Frank Stella, Jasper Johns and Jules Olitski are ambiguous about saturated color: they moved back and forth from monochrome greys and blacks to full color. In the late 1980s and the 1990s, painters such as Frank Stella, Ellsworth Kelly, Jules Olitski and Larry Poons moved from bright color to muted monochrome. Mid-1990s works by Frank Stella were unpainted, using instead the natural colors of metal and wood; Brice Marden turned from his luscious monochromes of the 1970s and 1980s to the black-and-white of Chinese calligraphy in the Cold Mountain series and other works.
AUTHOR'S NOTE: There are chapters on each of the key painters of the 1960s, whose works continue to inspire and entertain. I have revised the book for this edition, bringing it up to date. I hope readers will discover some new insights into many of their favourite artists.
Fully illustrated, with notes and bibliography. Large format. 220 pages. ISBN 9781861714428.
This third edition has been completely rewritten. www.crmoon.com
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