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Malevich, Souter

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Цена: 52730T
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При оформлении заказа до: 6 дек 2022
Ориентировочная дата поставки: Январь
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Автор: Souter
Название:  Malevich
Издательство: ACC-distribution titles
Издательство: Parkstone Press
ISBN: 185995684X
ISBN-13(EAN): 9781859956847
Обложка/Формат: Hardback
Страницы: 256
Вес: 2.168 кг.
Дата издания: 15/10/2008
Серия: Temporis series
Язык: English
Иллюстрации: 135 colour illustrations
Размер: 322 x 271 x 30
Читательская аудитория: General (US: Trade)
Поставляется из: США
Описание: Kazimir Malevich (1878 - 1935) was a painter and a great art theorist but first and foremost he was the founder of Suprematism (pure abstraction), a style based on geometrical forms. Suprematism, he wrote, has led me to discover something that had not been understood until then there is in human consciousness an imperious desire of space and the will to escape from Earth. This new publication presents the brilliant works of Malevich, the original painter, who until the age of twentyseven had no professional background as a painter, and who learned to draw out of curiosity and out of his will to learn. Gerry Souter once more offers us the works of a brilliant artist as well as a new perspective on the artists personality.

Chagall to Malevich

Автор: Petrova, Evgenia
Название: Chagall to Malevich
ISBN: 377742577X ISBN-13(EAN): 9783777425771
Издательство: Thames & Hudson
Цена: 54930 T
Наличие на складе: Невозможна поставка.
Описание: The Russian Avant-Garde, which brought about an artistic revolution between 1905 and 1934, represents one of the most fascinating chapters in the history of 20th-century art. Artists like Malevich, Kandinsky and Chagall are highly esteemed the world over. But this movement was much more diverse than is generally realised. For the first time this artistic wealth is being presented in a major sequence of pictures. 140 masterpieces of painting demonstrate the parallel development of widely different styles, design principles and aesthetic ideas. The avant-garde artists influenced each other or were sometimes in conflict with each other. At the same time you could find advocates of representational Expressionism and supporters of pure abstraction; styles like Primitivism, Cubo-Futurism and Suprematism followed each other in succession. Surprising contrasts of works by different artists demonstrate the differences, so that the successive conflicting –isms are clearly demonstrated. Through this visual confrontation the picture of all the many different forms of Russian avant-garde come alive.

Kasimir Malevich: Black and White.

Автор: Andrei Nakov
Название: Kasimir Malevich: Black and White.
ISBN: 3865212999 ISBN-13(EAN): 9783865212993
Издательство: Thames & Hudson
Цена: 24750 T
Наличие на складе: Поставка под заказ.
Описание: Suprematist composition (1915).

Kasimir Malevich and The Art of Geometry

Название: Kasimir Malevich and The Art of Geometry
ISBN: 0300064179 ISBN-13(EAN): 9780300064179
Издательство: Yale University Press
Цена: 64970 T
Наличие на складе: Поставка под заказ.
Описание: Kasimir Malevich was a Russian artist who pioneered a geometrityle of painting that he called Suprematism. As well as creating non-objective paintings, he produced the designs for the 1913 futurist opera "Victory over the Sun". This work analyzes Malevich's inspiration, methods and meanings.


Автор: Faerna
Название: Malevich
ISBN: 0810946912 ISBN-13(EAN): 9780810946910
Издательство: Abrams
Цена: 10820 T
Наличие на складе: Поставка под заказ.
Описание: Focusing on Kazimir Malevich (1878-1935), one of the great pioneers of 20th-century abstract art, this is one of a series of illustrated monographs which offer introductions to modern art and artists. Each book presents a profile of the artist and analysis of his distinctive style. Malevich was a major figure in the Russian avant-garde, and a founder of Suprematism, which became the basis for most later trends in abstract painting. His life and work are traced from his early years to his triumphants Suprematt period, including his abanconment of painting altogether in 1918, in favour of teaching and designing architecture and objects for daily use.

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