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Byzantine Art, Cormack


Варианты приобретения
Цена: 14770.00T
Кол-во:
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Наличие: Невозможна поставка.

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Автор: Cormack
Название:  Byzantine Art
Перевод названия: Византийское искусство
ISBN: 9780192842114
Издательство: Oxford Academ
Классификация:



ISBN-10: 0192842110
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.61 кг.
Дата издания: 14.09.2000
Серия: Oxford history of art s.
Язык: English
Иллюстрации: Colour and black and white halftones throughout
Размер: 23.67 x 16.66 x 1.40 cm
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Англии
Описание: This text focuses on the art of Constantinople from 330 to 1453 and the stages this went through in reaction to historical circumstances. The book shows how changes in society led to changes in art by focusing on particular cases and objects.

      Новое издание
Byzantine Art

Автор: Cormack, Robin
Название: Byzantine Art
ISBN: 0198778791 ISBN-13(EAN): 9780198778790
Издательство: Oxford Academ
Цена: 24810 T
Описание: A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles.


Byzantine Art and Diplomacy in an Age of Decline

Автор: Cecily J. Hilsdale
Название: Byzantine Art and Diplomacy in an Age of Decline
ISBN: 1316631982 ISBN-13(EAN): 9781316631980
Издательство: Cambridge Academ
Рейтинг:
Цена: 40130.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book questions how political decline refigures the visual culture of empire by examining the imperial image and the gift in later Byzantium (1261-1453). Providing a nuanced account of medieval artistic cultural exchange, Dr Hilsdale considers the temporal dimensions of power and the changing fates of empires.

Byzantine Monuments of Istanbul

Автор: Freely John, Cakmak Ahmet S.
Название: Byzantine Monuments of Istanbul
ISBN: 052117905X ISBN-13(EAN): 9780521179058
Издательство: Cambridge Academ
Рейтинг:
Цена: 29570.00 T
Наличие на складе: Невозможна поставка.
Описание: This is the story of the Byzantine monuments of Istanbul, the city known in the medieval period as Constantinople and in classical antiquity as Byzantium. Constantinople was the capital of the Byzantine Empire from 330 until 1453 and was renowned for the beauty and grandeur of its churches and palaces. The extant Byzantine monuments of Istanbul include more than twenty churches, most notably Hagia Sophia, as well as the remains of the land and sea walls, the Hippodrome, imperial palaces, commemorative columns, reservoirs and cisterns, an aqueduct, a triumphal archway, and a fortified port. They are described here in chronological order and in the context of their times, through the political, religious, social, economic, intellectual, and artistic developments in the dynasties that came to power during the turbulent Byzantine Age. A major part of the architectural and artistic heritage of Byzantium, these monuments also serve as a link between the world of classical antiquity and the new epochs of early modern Europe and the Ottoman Empire.

Byzantine Art and Diplomacy in an Age of Decline

Автор: Hilsdale
Название: Byzantine Art and Diplomacy in an Age of Decline
ISBN: 1107033306 ISBN-13(EAN): 9781107033306
Издательство: Cambridge Academ
Рейтинг:
Цена: 112990.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book questions how political decline refigures the visual culture of empire by examining the imperial image and the gift in later Byzantium (1261-1453). Providing a nuanced account of medieval artistic cultural exchange, Dr Hilsdale considers the temporal dimensions of power and the changing fates of empires.

Byzantine Art and Italian Panel Painting

Автор: Folda
Название: Byzantine Art and Italian Panel Painting
ISBN: 1107010233 ISBN-13(EAN): 9781107010239
Издательство: Cambridge Academ
Рейтинг:
Цена: 132000.00 T
Наличие на складе: Поставка под заказ.
Описание: Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.


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