Cindy Sherman 9780870705076

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Автор: Cindy Sherman
Название: Cindy Sherman
Перевод названия: Синди Шерман: Полное собрание стоп-кадров из фильмов
ISBN: 9780870705076
Издательство: Thames & Hudson
Классификация:

Фотографы

Фотографии: коллекции

ISBN-10: 0870705075
Обложка/Формат: Hardback
Страницы: 164
Вес: 1.15 кг.
Дата издания: 27.10.2003
Серия: Photography - Monographs
Язык: English
Иллюстрации: 76 halftones, duotone
Размер: 273 x 248 x 18
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: The complete untitled film stills
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Поставляется из: Европейский союз
Описание:

The photobook that defined a generation: 69 black-and-white photographs in Cindy Shermans seminal cinematic style, made between 1977 and 1980

Cindy Shermans Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clichйs.

Other artists had drawn upon popular culture but Shermans strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isnt real. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Shermans youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Shermans uncanny poise. There is no wink at the viewer, no open irony, no camp.

In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence.