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Andy warhol, Koestenbaum w


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Цена: 13150.00T
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в Мои желания

Автор: Koestenbaum w   (Костенбаум)
Название:  Andy warhol
Перевод названия: Энди Уорхолл. Фотографии
ISBN: 9780297646303
Издательство: Orion
Классификация: ISBN-10: 0297646303
Обложка/Формат: Hardcover
Страницы: 160
Вес: 0.00 кг.
Дата издания: November 8, 2001
Поставляется из: Европейский союз
Описание: Unique, bizarre, and often controversial, Andy Warhol in life and in death bridged the gap between high art and the ordinary, creating works that explored almost every artistic genre. From screenprinting and supermarket art to oil paintings and photography, Warhol rocked the established art world, perhaps more so than any of his contemporaries. During the 1960s inside a studio in New York known as The Factory the birth of Pop Art took place at the hands of Andy Warhol, the Pied Piper of New Yorks underground. His representations of Campbells Soup cans, dollar bills, Brillo boxes, Marilyn Monroe and car crashes, epitomized the American popular culture of his age and constituted one of the most significant revolutions in the art world.
Дополнительное описание: Кол-во стр.: 208
Формат: 197 x 129 x 15
Дата издания: 2001
Вес: 200
Круг читателей: general



      Новое издание

My 1980s and Other Essays

Автор: Koestenbaum Wayne
Название: My 1980s and Other Essays
ISBN: 0374533776 ISBN-13(EAN): 9780374533779
Издательство: Holtzbrink(MPS)/MPS
Цена: 10420.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays

Wayne Koestenbaum has been described as "an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag" (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description.

My 1980s and Other Essays opens with a series of manifestos--or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bola o, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal--the voice, the style, the flair--that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience.

Koestenbaum is perched on the cusp of being a true public intellectual--his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.



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