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Racial Blackness and Indian Ocean Slavery: Iran`s Cinematic Archive, Parisa Vaziri


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Автор: Parisa Vaziri
Название:  Racial Blackness and Indian Ocean Slavery: Iran`s Cinematic Archive
ISBN: 9781517914745
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 1517914744
Обложка/Формат: Hardback
Страницы: 368
Вес: 0.57 кг.
Дата издания: 23.01.2024
Язык: English
Иллюстрации: 48 black and white illustrations
Размер: 216 x 140 x 20
Ключевые слова: Ethnic studies,Film theory & criticism,Middle Eastern history,Slavery & abolition of slavery, HISTORY / Middle East / Iran,PERFORMING ARTS / Film / History & Criticism,SOCIAL SCIENCE / Black Studies (Global),SOCIAL SCIENCE / Slavery
Подзаголовок: Iran`s cinematic archive
Рейтинг:
Поставляется из: Англии
Описание:

Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema

 

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.

 

How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fi?lmfa?rsi?) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic siyah bazi (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.

 

Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.


Дополнительное описание: Film history, theory or criticism|Ethnic studies / Ethnicity|Middle Eastern history|Slavery, enslaved persons and abolition of slavery


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Racial blackness and indian ocean slavery

Автор: Vaziri, Parisa
Название: Racial blackness and indian ocean slavery
ISBN: 1517914752 ISBN-13(EAN): 9781517914752
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 25080.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema

 

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.

 

How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fi?lmfa?rsi?) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic siyah bazi (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.

 

Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.


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