Altar at Home: Sentimental Literature and Nineteenth-Century American Religion, Claudia Stokes
Автор: Jiang Xiaohu Название: The Late Eighteenth-Century Confluence of British-German Sentimental Literature: The Lessing Brothers, Henry Mackenzie, Goethe, and Jane Austen ISBN: 179361850X ISBN-13(EAN): 9781793618504 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 119680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book reads carefully the paratexts of translations which functioned as battlefields for the international reputation of British and German literature during the late eighteenth century, and then presents a new analysis of the literary link between the Lessing brothers, Henry Mackenzie, Goethe, and Jane Austen.
Автор: De Jong Mary G., Bennett Paula Bernat Название: Sentimentalism in Nineteenth-Century America: Literary and Cultural Practices ISBN: 1611476054 ISBN-13(EAN): 9781611476057 Издательство: Неизвестно Рейтинг: Цена: 173190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tracing the eighteenth-century origins of sentimentalism, the collection illustrates its proliferation in nineteenth-century America. Contributors explore motherhood, education, reform, loss and mourning, and the Civil War`s explosion of the faith in universal feelings and ideas on which sentimentalism was based.
Автор: Purton, Valerie Название: Dickens and the sentimental tradition ISBN: 0857284185 ISBN-13(EAN): 9780857284181 Издательство: Неизвестно Рейтинг: Цена: 105750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
'Dickens and the Sentimental Tradition' is a timely study of the 'sentimental' in Dickens's novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens's presentation of emotion - first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition - as part of a complex literary heritage that enables him to critique nineteenth-century society.
The book sheds light on the construction of feelings and of the 'good heart', ideas which resonate with current critical debates about literary 'affect'. As the text argues, such an analysis reveals sentimentalism to be a crucial element in fully understanding the achievement of Dickens and his contemporaries.
The first chapter of the book outlines the sentimentalist tradition in English literature from the Middle Ages onwards. The second and third chapters then examine Dickens's eighteenth-century inheritance in the works of Sterne, Fielding, Goldsmith and Sheridan, whilst Chapter Four explores Dickens's inheritance from Charles Lamb and his acting in sentimental plays by Bulwer Lytton and Wilkie Collins. Chapter Five analyses three early novels, including 'Nicholas Nickleby', revealing the extremism of post-Romantic sentimentalism. In Chapter Six, three later novels including 'Dombey and Son' are reread in terms of Dickens's changing use of sentimentalist rhetoric to achieve remarkably subversive effects. The final chapter then looks at other examples of nineteenth-century sentimental writing, and at the 'afterlife' of the mode in the past two centuries.
In Sentimental Materialism Lori Merish considers the intricate relationship between consumption and womanhood in the late eighteenth and nineteenth centuries. Taking as her starting point a diversity of cultural artifacts—from domestic fiction and philosophical treatises to advice literature and cigars—Merish explores the symbolic functions they served and finds that consumption evolved into a form of personal expressiveness that indicated not only a woman’s wealth and taste but also her race, class, morality, and civic values. The discursive production of this new subjectivity—the feminine consumer—was remarkably influential, helping to shape American capitalism, culture, and nation building.
The phenomenon of female consumption was capitalism’s complement to male production: It created what Merish calls the “Other Protestant Ethic,”a feminine and sentimental counterpart to Max Weber’s ethic of hard work, economic rationality, and self-control. In addition, driven by the culture’s effort to civilize the “cannibalistic” practices of ethnic, class, and national otherness, appropriate female consumerism, marked by taste and refinement, identified certain women and their families as proper citizens of the United States. The public nature of consumption, however, had curiously conflicting effects: While the achievement of cultured material circumstances facilitated women’s civic agency, it also reinforced stereotypes of domestic womanhood.
Sentimental Materialism’s inquiry into middle-class consumption and accompanying ideals of womanhood will appeal to readers in a variety of disciplines, including American studies, cultural studies, feminist theory, and cultural history.
In Sentimental Materialism Lori Merish considers the intricate relationship between consumption and womanhood in the late eighteenth and nineteenth centuries. Taking as her starting point a diversity of cultural artifacts—from domestic fiction and philosophical treatises to advice literature and cigars—Merish explores the symbolic functions they served and finds that consumption evolved into a form of personal expressiveness that indicated not only a woman’s wealth and taste but also her race, class, morality, and civic values. The discursive production of this new subjectivity—the feminine consumer—was remarkably influential, helping to shape American capitalism, culture, and nation building.
The phenomenon of female consumption was capitalism’s complement to male production: It created what Merish calls the “Other Protestant Ethic,”a feminine and sentimental counterpart to Max Weber’s ethic of hard work, economic rationality, and self-control. In addition, driven by the culture’s effort to civilize the “cannibalistic” practices of ethnic, class, and national otherness, appropriate female consumerism, marked by taste and refinement, identified certain women and their families as proper citizens of the United States. The public nature of consumption, however, had curiously conflicting effects: While the achievement of cultured material circumstances facilitated women’s civic agency, it also reinforced stereotypes of domestic womanhood.
Sentimental Materialism’s inquiry into middle-class consumption and accompanying ideals of womanhood will appeal to readers in a variety of disciplines, including American studies, cultural studies, feminist theory, and cultural history.
During the 1992 Democratic Convention and again while delivering Harvard University’s commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century American sentimental discourse proves to be a fruitful point of departure for Mary Louise Kete’s argument that sentimentality has been an important and recurring form of cultural narrative that has helped to shape middle-class American life. Many scholars have written about the sentimental novel as a primarily female genre and have stressed its negative ideological aspects. Kete finds that in fact many men—from writers to politicians—participated in nineteenth-century sentimental culture. Importantly, she also recovers the utopian dimension of the phenomenon, arguing that literary sentimentality, specifically in the form of poetry, is the written trace of a broad cultural discourse that Kete calls “sentimental collaboration”—an exchange of sympathy in the form of gifts that establishes common cultural or intellectual ground. Kete reads the work of Ralph Waldo Emerson, Henry Wadsworth Longfellow, Mark Twain, Harriet Beecher Stowe, and Lydia Huntley Sigourney with an eye toward the deployment of sentimentality for the creation of Americanism, as well as for political and abolitionist ends. Finally, she locates the origins of sentimental collaboration in the activities of ordinary people who participated in mourning rituals—writing poetry, condolence letters, or epitaphs—to ease their personal grief. Sentimental Collaborations significantly advances prevailing scholarship on Romanticism, antebellum culture, and the formation of the American middle class. It will be of interest to scholars of American studies, American literature, cultural studies, and women’s studies.
During the 1992 Democratic Convention and again while delivering Harvard University’s commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century American sentimental discourse proves to be a fruitful point of departure for Mary Louise Kete’s argument that sentimentality has been an important and recurring form of cultural narrative that has helped to shape middle-class American life. Many scholars have written about the sentimental novel as a primarily female genre and have stressed its negative ideological aspects. Kete finds that in fact many men—from writers to politicians—participated in nineteenth-century sentimental culture. Importantly, she also recovers the utopian dimension of the phenomenon, arguing that literary sentimentality, specifically in the form of poetry, is the written trace of a broad cultural discourse that Kete calls “sentimental collaboration”—an exchange of sympathy in the form of gifts that establishes common cultural or intellectual ground. Kete reads the work of Ralph Waldo Emerson, Henry Wadsworth Longfellow, Mark Twain, Harriet Beecher Stowe, and Lydia Huntley Sigourney with an eye toward the deployment of sentimentality for the creation of Americanism, as well as for political and abolitionist ends. Finally, she locates the origins of sentimental collaboration in the activities of ordinary people who participated in mourning rituals—writing poetry, condolence letters, or epitaphs—to ease their personal grief. Sentimental Collaborations significantly advances prevailing scholarship on Romanticism, antebellum culture, and the formation of the American middle class. It will be of interest to scholars of American studies, American literature, cultural studies, and women’s studies.
Автор: Rivero Albert J Название: Sentimental Novel in the Eighteenth Century ISBN: 1108418929 ISBN-13(EAN): 9781108418928 Издательство: Cambridge Academ Рейтинг: Цена: 99270.00 T Наличие на складе: Невозможна поставка. Описание: This volume explores various aspects and contexts for thinking about the sentimental novel. Chapters from leading scholars investigate the genre through the lenses of politics, slavery, women writers and the Gothic, to the sentimental novel in America and France.
Автор: Goode Название: Sentimental Masculinity and the Rise of History, 1790–1890 ISBN: 1107694256 ISBN-13(EAN): 9781107694255 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tracing the debate over what counted as history in nineteenth-century Britain, Mike Goode uncovers a Romantic literary and political tradition which held that historians must be manly and sentimental to understand history properly. Victorian academics successfully countered this tradition by asserting the superior importance of an unfeeling science of history.
Автор: Brownlee Marina Scordilis Название: The Severed Word: Ovid`s "Heroides " and the "Novela Sentimental " ISBN: 0691605688 ISBN-13(EAN): 9780691605685 Издательство: Wiley Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid`s Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of t
Автор: Rivero Albert J. Название: The Sentimental Novel in the Eighteenth Century ISBN: 1108408559 ISBN-13(EAN): 9781108408554 Издательство: Cambridge University Press Рейтинг: Цена: 58630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume explores various aspects and contexts for thinking about the sentimental novel. Chapters from leading scholars investigate the genre through the lenses of politics, slavery, women writers and the Gothic, to the sentimental novel in America and France.
Автор: Brownlee Marina Scordilis Название: The Severed Word: Ovid`s Heroides and the Novela Sentimental ISBN: 0691634610 ISBN-13(EAN): 9780691634616 Издательство: Wiley Рейтинг: Цена: 111410.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid's Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of the Middle Ages and Renaissance, especially on the fifteenth-century Spanish novela sentimental, or "sentimental romance." Presenting this proto-novelistic form as a highly original rewriting of Ovid, Brownlee demonstrates that its language model interrogates rather than affirms the linguistic referentiality implied by romance. Whereas the ambiguity of the sign had been articulated in fourteenth-century Spain (most notably by the Libro de buen amor), it is the fifteenth-century novela sentimental that fully grasps the existentially, novelistically dire consequences of this ambiguity. And in the process of deconstructing the referentiality that underlies romance, the novela sentimental reveals itself to be a discursively essential step in the evolution of the modern novel.
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