Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America, Mary Louise Kete
Автор: W. Chapman; Warwick Gould Название: Yeats`s Collaborations ISBN: 134972159X ISBN-13(EAN): 9781349721597 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first collection of essays to address the coming subject in studies of the Irish Literary Revival and the Modernist Movement - Yeats`s poetic, theatrical and occult collaborations.
Автор: Morag Shiach; Tarek Virani Название: Cultural Policy, Innovation and the Creative Economy ISBN: 1349951110 ISBN-13(EAN): 9781349951116 Издательство: Springer Рейтинг: Цена: 111790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This book develops important new insights into the conditions that enable effective collaborations between arts and humanities researchers and SMEs in the creative economy. Drawing on the work of Creativeworks London, an AHRC-funded Knowledge Exchange Hub for the Creative Economy, this is an in-depth study of how co-created and collaborative research projects work on the ground and will be of immense value to all these audiences. Chapters by researchers and practitioners examine a range of collaborative research projects supported by Creativeworks London’s vouchers, which cover a large number of creative industry sectors and academic disciplines. The book identifies key learning from these projects that has wider relevance for academics, funders, policy makers, and SMEs in the creative economy.
Morag Shiach is Professor of Cultural history at Queen Mary University of London, UK, where she is also Director of Creativeworks London and Vice-Principal for Humanities and Social Sciences. Her publications include Modernism, Labour and Selfhood in British Literature and Culture; Feminism and Cultural Studies; H?l?ne Cixous: A Politics of Writing; and Discourse on Popular Culture.
Dr. Virani obtained his PhD from King’s College London, UK. He is a full time researcher for Creativeworks London research project at Queen Mary University of London, UK. His research interests include the role of knowledge in the cultural economy, artistic knowledge within locally bounded artistic communities, and new work spaces in the creative and cultural economy.
In Sentimental Materialism Lori Merish considers the intricate relationship between consumption and womanhood in the late eighteenth and nineteenth centuries. Taking as her starting point a diversity of cultural artifacts—from domestic fiction and philosophical treatises to advice literature and cigars—Merish explores the symbolic functions they served and finds that consumption evolved into a form of personal expressiveness that indicated not only a woman’s wealth and taste but also her race, class, morality, and civic values. The discursive production of this new subjectivity—the feminine consumer—was remarkably influential, helping to shape American capitalism, culture, and nation building.
The phenomenon of female consumption was capitalism’s complement to male production: It created what Merish calls the “Other Protestant Ethic,”a feminine and sentimental counterpart to Max Weber’s ethic of hard work, economic rationality, and self-control. In addition, driven by the culture’s effort to civilize the “cannibalistic” practices of ethnic, class, and national otherness, appropriate female consumerism, marked by taste and refinement, identified certain women and their families as proper citizens of the United States. The public nature of consumption, however, had curiously conflicting effects: While the achievement of cultured material circumstances facilitated women’s civic agency, it also reinforced stereotypes of domestic womanhood.
Sentimental Materialism’s inquiry into middle-class consumption and accompanying ideals of womanhood will appeal to readers in a variety of disciplines, including American studies, cultural studies, feminist theory, and cultural history.
Displays of devout religious faith are very much in evidence in nineteenth-century sentimental novels such as Uncle Tom's Cabin and Little Women, but the precise theological nature of this piety has been little examined. In the first dedicated study of the religious contents of sentimental literature, Claudia Stokes counters the long-standing characterization of sentimental piety as blandly nondescript and demonstrates that these works were in fact groundbreaking, assertive, and highly specific in their theological recommendations and endorsements. The Altar at Home explores the many religious contexts and contents of sentimental literature of the American nineteenth century, from the growth of Methodism in the Second Great Awakening and popular millennialism to the developing theologies of Mormonism and Christian Science. Through analysis of numerous contemporary religious debates, Stokes demonstrates how sentimental writers, rather than offering simple depictions of domesticity, instead manipulated these scenes to advocate for divergent new beliefs and bolster their own religious authority. On the one hand, the comforting rhetoric of domesticity provided a subtle cover for sentimental writers to advance controversial new beliefs, practices, and causes such as Methodism, revivalism, feminist theology, and even the legitimacy of female clergy. On the other hand, sentimentality enabled women writers to bolster and affirm their own suitability for positions of public religious leadership, thereby violating the same domestic enclosure lauded by the texts. The Altar at Home offers a fascinating new historical perspective on the dynamic role sentimental literature played in the development of innumerable new religious movements and practices, many of which remain popular today.
Автор: Purton, Valerie Название: Dickens and the sentimental tradition ISBN: 0857284185 ISBN-13(EAN): 9780857284181 Издательство: Неизвестно Рейтинг: Цена: 105750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
'Dickens and the Sentimental Tradition' is a timely study of the 'sentimental' in Dickens's novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens's presentation of emotion - first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition - as part of a complex literary heritage that enables him to critique nineteenth-century society.
The book sheds light on the construction of feelings and of the 'good heart', ideas which resonate with current critical debates about literary 'affect'. As the text argues, such an analysis reveals sentimentalism to be a crucial element in fully understanding the achievement of Dickens and his contemporaries.
The first chapter of the book outlines the sentimentalist tradition in English literature from the Middle Ages onwards. The second and third chapters then examine Dickens's eighteenth-century inheritance in the works of Sterne, Fielding, Goldsmith and Sheridan, whilst Chapter Four explores Dickens's inheritance from Charles Lamb and his acting in sentimental plays by Bulwer Lytton and Wilkie Collins. Chapter Five analyses three early novels, including 'Nicholas Nickleby', revealing the extremism of post-Romantic sentimentalism. In Chapter Six, three later novels including 'Dombey and Son' are reread in terms of Dickens's changing use of sentimentalist rhetoric to achieve remarkably subversive effects. The final chapter then looks at other examples of nineteenth-century sentimental writing, and at the 'afterlife' of the mode in the past two centuries.
In Sentimental Materialism Lori Merish considers the intricate relationship between consumption and womanhood in the late eighteenth and nineteenth centuries. Taking as her starting point a diversity of cultural artifacts—from domestic fiction and philosophical treatises to advice literature and cigars—Merish explores the symbolic functions they served and finds that consumption evolved into a form of personal expressiveness that indicated not only a woman’s wealth and taste but also her race, class, morality, and civic values. The discursive production of this new subjectivity—the feminine consumer—was remarkably influential, helping to shape American capitalism, culture, and nation building.
The phenomenon of female consumption was capitalism’s complement to male production: It created what Merish calls the “Other Protestant Ethic,”a feminine and sentimental counterpart to Max Weber’s ethic of hard work, economic rationality, and self-control. In addition, driven by the culture’s effort to civilize the “cannibalistic” practices of ethnic, class, and national otherness, appropriate female consumerism, marked by taste and refinement, identified certain women and their families as proper citizens of the United States. The public nature of consumption, however, had curiously conflicting effects: While the achievement of cultured material circumstances facilitated women’s civic agency, it also reinforced stereotypes of domestic womanhood.
Sentimental Materialism’s inquiry into middle-class consumption and accompanying ideals of womanhood will appeal to readers in a variety of disciplines, including American studies, cultural studies, feminist theory, and cultural history.
Автор: Lambert Ennis Название: Thackeray: The Sentimental Cynic ISBN: 0810138360 ISBN-13(EAN): 9780810138360 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 49890.00 T Наличие на складе: Невозможна поставка. Описание: Chronicles British novelist William Thackeray`s ambivalent attitudes toward society and traces his conduct during the major crises of his life in terms of those attitudes. Lambert Ennis examines the emotional tensions in Thackeray`s life and the impact they had in his work. In so doing, he illustrates key themes in Victorian studies more broadly.
Автор: Rudolf Neuh?user Название: Towards the Romantic Age ISBN: 940174551X ISBN-13(EAN): 9789401745512 Издательство: Springer Рейтинг: Цена: 81050.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman- ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work written specifically to convey and inspire deep feeling—does not seem to fit with a swiftly bureaucratizing society. Surprisingly, though, sentimental language persisted in American literature, even as a culture of managed systems threatened to obscure the power of individual affect. The Sentimental Touch explores the strange, enduring power of sentimental language in the face of a rapidly changing culture. Analyzing novels by Harriet Beecher Stowe, Mark Twain, Sherwood Anderson, and Nathanael West, the book demonstrates that sentimental language changes but remains powerful, even in works by authors who self-consciously write against the sentimental tradition. Sentimental language has an afterlife, enduring in American literature long after authors and critics declared it dead, insisting that human feeling can resist a mechanizing culture and embodying, paradoxically, the way that literary conventions themselves become mechanical and systematic.
Автор: Miao Hui Название: The Sentimental in Chinese Cinema ISBN: 3030883299 ISBN-13(EAN): 9783030883294 Издательство: Springer Рейтинг: Цена: 102480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores manifestations and perpetuations of the sentimental in Mainland Chinese cinema from the 1990s to the 2000s.
Автор: Goode Название: Sentimental Masculinity and the Rise of History, 1790–1890 ISBN: 1107694256 ISBN-13(EAN): 9781107694255 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Tracing the debate over what counted as history in nineteenth-century Britain, Mike Goode uncovers a Romantic literary and political tradition which held that historians must be manly and sentimental to understand history properly. Victorian academics successfully countered this tradition by asserting the superior importance of an unfeeling science of history.
Автор: Paul Pelckmans Название: La sociabilite des c?urs: Pour une anthropologie du roman sentimental ISBN: 9042037245 ISBN-13(EAN): 9789042037243 Издательство: Brill Рейтинг: Цена: 107590.00 T Наличие на складе: Невозможна поставка. Описание: La verve critique des Philosophes a toujours fait bon menage avec un esprit de serieux sentimental. Ce recueil relit le corpus pathetique devant l`horizon des `mentalites`.
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