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Italian National Cinema, Sorlin, Pierre


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Цена: 38780.00T
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Автор: Sorlin, Pierre
Название:  Italian National Cinema
ISBN: 9780415116985
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415116988
Обложка/Формат: Paperback
Страницы: 212
Вес: 0.34 кг.
Дата издания: 08.08.1996
Серия: National cinemas
Размер: 155 x 234 x 14
Читательская аудитория: Undergraduate
Рейтинг:
Поставляется из: Европейский союз

British National Cinema

Автор: Street, Sarah
Название: British National Cinema
ISBN: 0415067367 ISBN-13(EAN): 9780415067362
Издательство: Taylor&Francis
Рейтинг:
Цена: 33670.00 T
Наличие на складе: Нет в наличии.

Spanish National Cinema

Автор: Triana-Toribio, Nuria
Название: Spanish National Cinema
ISBN: 0415220602 ISBN-13(EAN): 9780415220606
Издательство: Taylor&Francis
Рейтинг:
Цена: 38780.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

National Pastimes: Cinema, Sports, and Nation

Автор: Katharina Bonzel
Название: National Pastimes: Cinema, Sports, and Nation
ISBN: 1496215524 ISBN-13(EAN): 9781496215529
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 41800.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sports have long fascinated filmmakers from Hollywood and beyond, from Bend It Like Beckham to Chariots of Fire to Rocky. Though sports films are diverse in their approach, style, and storytelling modes, National Pastimes discloses the common emotional and visual cues that belie each sports film’s underlying nationalistic impulses. Katharina Bonzel unravels the delicate matrix of national identity, sports, and emotion through the lens of popular sports films in comparative national contexts, demonstrating in the process how popular culture provides a powerful vehicle for the development and maintenance of identities of place across a range of national cinemas.

As films reflect the ways in which myths of nation and national belonging change over time, they are implicated in important historical moments, from Cold War America to the class dynamics of 1980s Thatcherite Britain to the fragmented sense of nation in post-unification Germany. Bonzel shows how sports films provide a means for renegotiating the boundaries of national identity in an accessible, engaging form. National Pastimes opens up new ways of understanding how films appeal to the emotions, using myth-like constructions of the past to cultivate spectators’ engagement with historical events.

 

Irish National Cinema

Автор: Barton, Ruth
Название: Irish National Cinema
ISBN: 0415278953 ISBN-13(EAN): 9780415278959
Издательство: Taylor&Francis
Рейтинг:
Цена: 39800.00 T
Наличие на складе: Нет в наличии.

Australian National Cinema

Автор: O`Regan, Tom
Название: Australian National Cinema
ISBN: 0415057310 ISBN-13(EAN): 9780415057318
Издательство: Taylor&Francis
Рейтинг:
Цена: 43890.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Irish National Cinema

Автор: Barton, Ruth
Название: Irish National Cinema
ISBN: 0415278945 ISBN-13(EAN): 9780415278942
Издательство: Taylor&Francis
Рейтинг:
Цена: 148010.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Chinatown Film Culture: The Appearance of Cinema in San Francisco`s Chinese Neighborhood

Автор: Fahlstedt Kim K.
Название: Chinatown Film Culture: The Appearance of Cinema in San Francisco`s Chinese Neighborhood
ISBN: 1978804407 ISBN-13(EAN): 9781978804401
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 35070.00 T
Наличие на складе: Нет в наличии.
Описание: Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.

Iranian National Cinema

Автор: Demy-Geroe, Anne
Название: Iranian National Cinema
ISBN: 1032175427 ISBN-13(EAN): 9781032175423
Издательство: Taylor&Francis
Рейтинг:
Цена: 42870.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

Автор: Alexander Zahlten
Название: The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies
ISBN: 082236929X ISBN-13(EAN): 9780822369295
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 98610.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University

Spanish National Cinema

Автор: Triana-Toribio, Nuria
Название: Spanish National Cinema
ISBN: 0415220599 ISBN-13(EAN): 9780415220590
Издательство: Taylor&Francis
Рейтинг:
Цена: 148010.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Canadian National Cinema

Автор: Gittings, Chris
Название: Canadian National Cinema
ISBN: 0415142822 ISBN-13(EAN): 9780415142823
Издательство: Taylor&Francis
Рейтинг:
Цена: 39800.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

Автор: Zahlten Alexander
Название: The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies
ISBN: 0822369443 ISBN-13(EAN): 9780822369448
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 29220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University


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