Автор: Triana-Toribio, Nuria Название: Spanish National Cinema ISBN: 0415220602 ISBN-13(EAN): 9780415220606 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Street, Sarah Название: British National Cinema ISBN: 0415067367 ISBN-13(EAN): 9780415067362 Издательство: Taylor&Francis Рейтинг: Цена: 33670.00 T Наличие на складе: Нет в наличии.
Автор: Sorlin, Pierre Название: Italian National Cinema ISBN: 041511697X ISBN-13(EAN): 9780415116978 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Sorlin, Pierre Название: Italian National Cinema ISBN: 0415116988 ISBN-13(EAN): 9780415116985 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Demy-Geroe, Anne Название: Iranian National Cinema ISBN: 0367219417 ISBN-13(EAN): 9780367219413 Издательство: Taylor&Francis Рейтинг: Цена: 117390.00 T Наличие на складе: Нет в наличии. Описание: This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers and filmic markers, particularly Jafar Panahi`s The Circle (2000) and Asghar Farhadi`s About Elly (2009).
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.
A Study of the Weatherhead East Asian Institute, Columbia University
Автор: Barton, Ruth Название: Irish National Cinema ISBN: 0415278945 ISBN-13(EAN): 9780415278942 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: O`Regan, Tom Название: Australian National Cinema ISBN: 0415057310 ISBN-13(EAN): 9780415057318 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Adrian Danks, Constantine Verevis Название: Australian International Pictures (1946 - 75) ISBN: 0748693068 ISBN-13(EAN): 9780748693061 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75.
Автор: C. Celli Название: National Identity in Global Cinema ISBN: 1349291641 ISBN-13(EAN): 9781349291649 Издательство: Springer Рейтинг: Цена: 18630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.
Автор: Jan-Christopher Horak, Lisa Jarvinen, Colin Gunckel Название: Cinema between Latin America and Los Angeles: Origins to 1960 ISBN: 1978801254 ISBN-13(EAN): 9781978801257 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Невозможна поставка. Описание: Historically, Los Angeles and its exhibition market have been central to the international success of Latin American cinema. Not only was Los Angeles a site crucial for exhibition of these films, but it became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. Cinema between Latin America and Los Angeles builds upon this foundational insight to both examine the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema and to explore the implications of this transnational dynamic for the study and analysis of Latin American cinema before 1960. The volume editors aim to flesh out the gaps between Hollywood and Latin America, American imperialism and Latin American nationalism in order to produce a more nuanced view of transnational cultural relations in the western hemisphere.
Автор: Fahlstedt Kim K. Название: Chinatown Film Culture: The Appearance of Cinema in San Francisco`s Chinese Neighborhood ISBN: 1978804407 ISBN-13(EAN): 9781978804401 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 35070.00 T Наличие на складе: Нет в наличии. Описание: Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.
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