This book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian 'colonial archive' in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the 'figures of race' peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness.
Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
Автор: Landman Samuel Название: Great Britain, the Jews and Palestine: How America was Dragged into World War One by the Zionist Lobby ISBN: 1646065581 ISBN-13(EAN): 9781646065585 Издательство: Неизвестно Рейтинг: Цена: 11570.00 T Наличие на складе: Невозможна поставка. Описание: "The only way to induce the American President to come into the War was to secure the co-operation of Zionist Jews by promising them Palestine, and thus mobilize the hitherto unsuspectedly powerful forces of Zionist Jews in America and elsewhere in favor of the Allies." -- Samuel Landman, Secretary, Zionist Council of the UK, 1936.
Автор: Caplan Neil Название: Futile Diplomacy, Volume 1: Early Arab-Zionist Negotiation Attempts, 1913-1931 ISBN: 1138905224 ISBN-13(EAN): 9781138905221 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Most students of the history of Arab-Jewish relations have come to take for granted the stubborn resistance of the continuing dispute to any form of lasting and ‘reasonable’ solution. This book, first published in 1983, examines early Arab-Zionist negotiating experience with the assumption that this has direct relevance to our understanding of the possible outcomes of diplomatic approaches to resolving the conflict. Its main purpose is to assemble (half of the book consists of original souce documents) and discuss some of the raw material which may help readers focus more clearly on the origins of the conflict, and perhaps to eliminate some recurring fallacies about its development and the prospects for its resolution. An examination of the period 1913 to 1931 reveals of wealth of previous negotiating experience which is today largely forgotten, and indicates that there was little or no movement of any of the parties in the direction of modifying its basic minimum demands and aspirations.
Автор: Renton, James Название: Zionist masquerade ISBN: 0230547184 ISBN-13(EAN): 9780230547186 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers a new interpretation of a critical chapter in the history of the Zionist-Palestine conflict and the British Empire in the Middle East. It contends that the Balfour Declaration was one of many British propaganda policies during the World War I that were underpinned by misconceived notions of ethnicity, ethnic power and nationalism.
Автор: Rachel Afi Quinn Название: Being La Dominicana: Race and Identity in the Visual Culture of Santo Domingo ISBN: 0252043812 ISBN-13(EAN): 9780252043819 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Нет в наличии. Описание: Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class.
Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
Автор: Barbara Larson, Marsha Morton Название: Constructing Race on the Borders of Europe: Ethnography, Anthropology, and Visual Culture, 1850-1930 ISBN: 135018232X ISBN-13(EAN): 9781350182325 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: Constructing Race on the Borders of Europe investigates the visual imagery (in painting, photography, prints, film, and design) of race construction primarily in Scandinavia and the empires of Austro-Hungary, Germany, and Russia at a time when the disciplines of ethnography and anthropology were expanding and publications on race were debating competing theories of biological, geographic, linguistic, and cultural determinants. These regions, while on the periphery of continental Europe, largely marginalized in the scholarship of nineteenth-century art history, and ignored by Edward Said (Orientalism 1978), have been central locations for theorizing white identity and for containing diverse ethnic populations that have generated substantive ethnographic study and regional conflicts since the eighteenth century. This anthology explores art that engaged with ethnography and anthropology to shape visual representations of subordinate ethnic populations and material cultures, both indigenous (Roma, Sami, Inuit, and Celts) and migrant or colonial (Muslims and Blacks), chiefly between 1850 and 1930, but extending into the early twenty-first century. The essays in this book contribute to postcolonial research by documenting colonial-style treatment of minority groups and by seeking to qualify binary systems through explorations of anomalies, complexities, and contradictions that emerge when seen from the perspective of the fine and applied arts. This book presents a range of different artistic voices that responded to ethnographic and anthropological information by producing images or objects that adopted, altered, or critiqued that information. The authors seek to uncover instances of connections and variability, to establish the fabricated nature of ethnic identity, and to challenge the certainties of racial categorization.
Автор: Carol Magee Название: Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture ISBN: 1617039470 ISBN-13(EAN): 9781617039478 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31410.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination explores this presence, examining Mattel`s world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers.
Название: Cartography and Visual Culture in the Nineteenth-Century Americas ISBN: 0367333260 ISBN-13(EAN): 9780367333263 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume represents the first transnational and hemispheric analysis of nineteenth-century intersections between cartographic expeditions and visual material in the Americas and features the multi-disciplinary perspective of historians, geographers, and art historians.
Автор: Becker Cynthia J. Название: Blackness in Morocco: Gnawa Identity Through Music and Visual Culture ISBN: 1517909392 ISBN-13(EAN): 9781517909390 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25080.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A groundbreaking study of Blackness in Morocco through the lens of visual representation For more than thirteen centuries, caravans transported millions of enslaved people from Africa south of the Sahara into what is now the Kingdom of Morocco. Today there are no museums, plaques, or monuments that recognize this history of enslavement, but enslaved people and their descendants created the Gnawa identity that preserves this largely suppressed heritage. This pioneering book describes how Gnawa emerged as a practice associated with Blackness and enslavement by reviewing visual representation and musical traditions from the late nineteenth century to the present. Cynthia J. Becker addresses the historical consciousness of subaltern groups and how they give Blackness material form through modes of dress, visual art, religious ceremonies, and musical instruments in performance. She examines what it means to self-identify as Black in Morocco (a country typically associated with the Middle East and the Arab world), especially during this time of increased contemporary African migration, which has made Blackness even more visible. Her case studies draw on archival material and on her extended research in the city of Essaouira, site of the wildly popular Gnawa World Music Festival. Becker shows that Gnawa spirit possession ceremonies express the marginalization associated with enslavement and allow these unique communities to move toward healing, even as the mass-marketing of Gnawa music has resulted in some Gnawa practitioners engaging Blackness to claim legitimacy and spiritual power. This book challenges the framing of Africa’s cultural history into “sub-Saharan” versus “North African” or Islamic versus non-Islamic categories. Blackness in Morocco complicates how we think about the institution of slavery and its impact on North African religious and social institutions, and readers will better understand and appreciate the role of Africans in shaping global forces, including religious institutions such as Islam.
Автор: Cutter Martha J. Название: The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852 ISBN: 0820351164 ISBN-13(EAN): 9780820351162 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 39730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From the 1787 Wedgwood antislavery medallion featuring the image of an enchained and pleading black body to Quentin Tarantino’s Django Unchained (2012) and Steve McQueen’s Twelve Years a Slave (2013), slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork. Yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books published prior to Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) that were utilized extensively by the antislavery movement in the first half of the nineteenth century.The Illustrated Slave analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha J. Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works such as Uncle Tom’s Cabin, as well as unfamiliar ones by Amelia Opie, Henry Bibb, and Henry Box Brown, she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.
Автор: Cristina Mejia Visperas Название: Skin Theory: Visual Culture and the Postwar Prison Laboratory ISBN: 1479810770 ISBN-13(EAN): 9781479810772 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 74410.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Studies the intersections of incarceration, medical science, and race in postwar America In February 1966, a local newspaper described the medical science program at Holmesburg Prison, Philadelphia, a “golden opportunity to conduct widespread medical tests under perfect control conditions.” Helmed by Albert M. Kligman, a University of Pennsylvania professor, these tests enrolled hundreds of the prison’s predominantly Black population in studies determining the efficacy and safety of a wide variety of substances, from common household products to chemical warfare agents. These experiments at Holmesburg were hardly unique; in the postwar United States, the use of incarcerated test subjects was standard practice among many research institutions and pharmaceutical companies. Skin Theory examines the prison as this space for scientific knowledge production, showing how the “perfect control conditions” of the prison dovetailed into the visual regimes of laboratory work. To that end, Skin Theory offers an important reframing of visual approaches to race in histories of science, medicine, and technology, shifting from issues of scientific racism to the scientific rationality of racism itself. In this highly original work, Cristina Mejia Visperas approaches science as a fundamentally racial project by analyzing the privileged object and instrument of Kligman’s experiments: the skin. She theorizes the skin as visual technology, as built environment, and as official discourse, developing a compelling framework for understanding the intersections of race, incarceration, and medical science in postwar America.
Автор: Justin T. Clark Название: City of Second Sight: Nineteenth-Century Boston and the Making of American Visual Culture ISBN: 146963872X ISBN-13(EAN): 9781469638720 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 82770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the ""Athens of America,"" neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts.By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle, but also a battleground for the freedom and autonomy of the spectator.
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