French Film Theory and Criticism, Volume 2: A History/Anthology, 1907-1939. Volume 2: 1929-1939, Richard Abel
Автор: Annabelle Honess Roe Название: Aardman Animations: Beyond Stop-Motion ISBN: 1350194948 ISBN-13(EAN): 9781350194946 Издательство: Bloomsbury Academic Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style.
This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.
Автор: Rayna Denison Название: Anime: A Critical Introduction ISBN: 1847884792 ISBN-13(EAN): 9781847884794 Издательство: Macmillan USA/Holtzbrink(MPS) Рейтинг: Цена: 23270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli's dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime's local and global genres: from the less-considered niches like nichijo-kei (everyday style anime) through to the global popularity of science fiction anime, this book tackles the tensions between the markets and audiences for anime texts.
Anime is consequently understood in this book as a complex cultural phenomenon: not simply a "genre," but as an always shifting and changing set of texts. Its inherent changeability makes anime an ideal contender for global dissemination, as it can be easily re-edited, translated and then newly understood as it moves through the world's animation markets. As such, Anime: A Critical Introduction explores anime through a range of debates that have emerged around its key film texts, through discussions of animation and violence, through debates about the cyborg and through the differences between local and global understandings of anime products. Anime: A Critical Introduction uses these debates to frame a different kind of understanding of anime, one rooted in contexts, rather than just texts. In this way, Anime: A Critical Introduction works to create a space in which we can rethink the meanings of anime as it travels around the world.
Автор: David Church Название: Post-Horror: Art, Genre and Cultural Elevation ISBN: 1474475892 ISBN-13(EAN): 9781474475891 Издательство: Bloomsbury Academic Рейтинг: Цена: 23220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Автор: Pollock Griselda Название: Concentrationary Cinema ISBN: 0857453513 ISBN-13(EAN): 9780857453518 Издательство: Berghahn Рейтинг: Цена: 85690.00 T Наличие на складе: Есть Описание:
Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais’s benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.
Автор: McCann Ben Название: Jour Se Leve ISBN: 1780765924 ISBN-13(EAN): 9781780765921 Издательство: I B Tauris Рейтинг: Цена: 16710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. In this book, the author shuttles between different registers, tones, and textures throughout, marshalling the studio`s resources to create striking pictorial compositions.
Название: Stories of ourselves: volume 1 ISBN: 1108462294 ISBN-13(EAN): 9781108462297 Издательство: Cambridge Education Рейтинг: Цена: 23160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This series contains poetry and prose anthologies composed of writers from across the English-speaking world.
Автор: Michael D. Clemens Название: Screening Nature and Nation: The Environmental Documentaries of the National Film Board, 1939-1974 ISBN: 1771993359 ISBN-13(EAN): 9781771993357 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27550.00 T Наличие на складе: Нет в наличии. Описание: The documentaries produced by the National Film Board of Canada, an institution profoundly woven into Canada’s cultural fabric, not only influenced cinematic language, but their stunning portrayals of the landscape shaped our perception of the environment and our place in it. Screening Nature and Nation examines how Canadians have engaged with these films and how the depictions of the land and its people have reflected the prevailing attitudes of the times. In the years following the establishment of the NFB in 1939, author Michael Clemens demonstrates how production practices often supported the views of the government regarding the uses and limits of the environment. But, like most institutions, the films evolved, and by the beginning of the 1960s NFB documentaries began to express much broader social concerns. Certain filmmakers began to use their cameras as a means of challenging the dominant modes of thinking about the environment—not as a resource to be exploited but as a dynamic ecosystem. Films were produced that privileged Indigenous perspectives by focusing on the physical, cultural, and spiritual lives of the nation’s first people, offering audiences a glimpse into a social history they may have known little about. Many of the seminal films created in the 1960s and 1970s by the National Film Board of Canada would go on to be adored by audiences world-wide for their portrayal of the landscape and indigenous culture, as well as inspiring a burgeoning environmental activist movement.
Автор: Willmetts, Simon (university Of Hull) Название: America`s myth ISBN: 0748692991 ISBN-13(EAN): 9780748692996 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on extensive archival research, In Secrecy`s Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia.
Автор: Kent Puckett Название: War Pictures: Cinema, Violence, and Style in Britain, 1939-1945 ISBN: 0823275744 ISBN-13(EAN): 9780823275748 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 115370.00 T Наличие на складе: Невозможна поставка. Описание:
In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
Cinema, whether it is understood as entertainment, business, criticism, or art, is always a reflection of the society in which it is born. Men on the Screen is a review of masculinity in cinema made in Spain by Spanish directors from 1939 to the present. The objective of this volume is, then, to observe the different types of masculinities, whose classification gives rise to a chronology that goes from the man who embodies the dream dreamt by the dictator Franco to the modern man, who is lost in his labyrinth, while also examining the repressed men, those men who have strayed and who live in the city, the rascals and braggarts, those who fight every day just to survive, the petty criminals, those men who divest themselves of the rancid national-Catholicism in order to be themselves, those who are caring, those who harass and kill their prey, the heroes, those who seduce women with their gab, corrupt politicians, those who sell their bodies, grandparents, violent and chauvinistic men, those who live in anguish for the passage of time, and even those immured by repressing and hypocritical morality. All of the masculine categories delineated above indicate that cinema is a reflection of the great changes experienced by Spanish society during these years. During this long period, Spain has gone from being a poor, isolated, dark, sad, politically and religiously depressed country to becoming a dynamic, modern country, one of the great countries of the West. And these transformations, these men, who are diverse, who are in conflict at times, and who are depressed, hopeful, hungry, consumerist, and dreamers—they are what cinema gathers. What follows next is a catalog of men who have wandered and roamed the Spanish screens.
Автор: Emilie Morin Название: Early Radio: An Anthology of European Texts and Translations ISBN: 1474485146 ISBN-13(EAN): 9781474485142 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Who were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio’s social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio’s future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio’s potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.
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