Queer Transgressions in Twentieth-Century Polish Fiction: Gender, Nation, Politics, Hutchens Jack J.
Автор: Hurst, Mary Jane Название: Language, gender, and community in late twentieth-century fiction ISBN: 0230110452 ISBN-13(EAN): 9780230110458 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on critical frameworks, this study establishes the centrality of language, gender, and community in the quest for identity in contemporary American fiction. Close readings of novels by Alice Walker, Ernest Gaines, Ann Beattie, John Updike, Chang-rae Lee, and Rudolfo Anaya, among others, show how individuals find their American identities.
Автор: Rachel Carroll Название: Transgender and The Literary Imagination: Changing Gender in Twentieth-Century Writing ISBN: 1474462723 ISBN-13(EAN): 9781474462723 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Нет в наличии. Описание: Transgender and the Literary Imagination is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender.
Автор: M. Evans Название: Claude Simon and the Transgressions of Modern Art ISBN: 1349194735 ISBN-13(EAN): 9781349194735 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Ferraro Thomas J. Название: Transgression & Redemption in American Fiction ISBN: 0198863055 ISBN-13(EAN): 9780198863052 Издательство: Oxford Academ Рейтинг: Цена: 145610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A critical study of classic American novels, Transgression and Redemption explores Catholicism in The Scarlet Letter, The Great Gatsby, The Professor`s House, The Awakening, and The Sun Also Rises.
In the beginning there was . . . the beginning. And with the beginning came the power to tell a story. Few book-length studies of narrative beginnings exist, and not one takes a feminist perspective. Opening Acts reveals the important role of beginnings as moments of discursive authority with power and agency that have been appropriated by writers from historically marginalized groups. Catherine Romagnolo argues for a critical awareness of how social identity plays a role in the strategic use and critical interpretation of narrative beginnings.
The twentieth-century U.S. women writers whom Romagnolo studies—Edith Wharton, H.D., Toni Morrison, Julia Alvarez, and Amy Tan—have seized the power to disrupt conventional structures of authority and undermine historical master narratives of marriage, motherhood, U.S. nationhood, race, and citizenship. Using six of their novels as points of entry, Romagnolo illuminates the ways in which beginnings are potentially subversive, thereby disrupting the reinscription of hierarchically gendered and racialized conceptions of authorship and agency.
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