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Philosophy in Stan Brakhage`s Dog Star Man, Alberto Baracco


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Автор: Alberto Baracco
Название:  Philosophy in Stan Brakhage`s Dog Star Man
ISBN: 9783030124250
Издательство: Springer
Классификация:



ISBN-10: 3030124258
Обложка/Формат: Hardcover
Страницы: 144
Вес: 0.42 кг.
Дата издания: 2019
Язык: English
Издание: 1st ed. 2019
Иллюстрации: 30 tables, color; 32 illustrations, color; 14 illustrations, black and white; xviii, 144 p. 46 illus., 32 illus. in color.
Размер: 210 x 148 x 14
Читательская аудитория: Professional & vocational
Основная тема: Philosophy
Подзаголовок: World, Metaphor, Interpretation
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ric?urian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
Дополнительное описание: Chapter 1: Introduction.- Chapter 2: DSM and Philosophy.- Chapter 3: Understanding DSM’s Film World.- Chapter 4: Explaining DSM’s Film World.- Chapter 5: Critical Understanding of DSM’s Film World.- Chapter 6: Conclusion.


Stan Brakhage in Rolling Stock, 1980-1990

Автор: White Jerry
Название: Stan Brakhage in Rolling Stock, 1980-1990
ISBN: 1771123036 ISBN-13(EAN): 9781771123037
Издательство: Gazelle Book Services
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Цена: 78650.00 T
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Описание: This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhages work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jurgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The books appendices reprint letters Brakhage wrote to Stella Pence (Tellurides co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.


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