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Marking Time: Derrida Blanchot Beckett des Forets Klossowski Laporte, Ian Maclachlan


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Автор: Ian Maclachlan
Название:  Marking Time: Derrida Blanchot Beckett des Forets Klossowski Laporte
ISBN: 9789042036093
Издательство: Brill
Классификация:



ISBN-10: 9042036095
Обложка/Формат: Paperback
Страницы: 212
Вес: 0.34 кг.
Дата издания: 01.01.2012
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: Black & white illustrations
Размер: 235 x 155
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Literary theory,Literary studies: from c 1900 -
Подзаголовок: Derrida blanchot beckett des forets klossowski laporte
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Поставляется из: Англии
Описание: Drawing on the work of Jacques Derrida, Marking Time presents an innovative account of literary time, in which the temporality and ontology of the literary are seen to be essentially intertwined. Individual chapters trace the stakes of this view of time for the status and ‘economy’ of the literary text across five 20th-century writers in French whose work is characterized by a fundamental and searching self-questioning: Maurice Blanchot, Samuel Beckett, Louis-Rene des Forets, Pierre Klossowski, and Roger Laporte. A final chapter draws on these analyses to develop an inherently unstable figure of ‘saving time’, which has important repercussions for how we conceive of literary value.

Derrida, Heidegger, Blanchot

Автор: Clark
Название: Derrida, Heidegger, Blanchot
ISBN: 0521057795 ISBN-13(EAN): 9780521057790
Издательство: Cambridge Academ
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Цена: 43290.00 T
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Описание: In this innovative study, Timothy Martin considers Derrida`s reading of literature as a form of philosophical thinking, tracing this trend to the work of Heidegger and Blanchot.

The Imperative to Write: Destitutions of the Sublime in Kafka, Blanchot and Beckett

Автор: Fort Jeff
Название: The Imperative to Write: Destitutions of the Sublime in Kafka, Blanchot and Beckett
ISBN: 0823254690 ISBN-13(EAN): 9780823254699
Издательство: Wiley EDC
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Цена: 66350.00 T
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Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer’s vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow from it—and that leave it in ruins?
This book explores these questions through readings of three authors who bear witness to an ambiguous exigency: writing as a demanding and exclusive task, at odds with life, but also a mere compulsion, a drive without end or reason, even a kind of torture. If Kafka, Blanchot, and Beckett mimic a sublime vocation in their extreme devotion to writing, they do so in full awareness that the trajectory it dictates leads not to metaphysical redemption but rather downward, into the uncanny element of fiction. As this book argues, the sublime has always been a deeply melancholy affair, even in its classical Kantian form, but it is in the attenuated speech of narrative voices progressively stripped of their resources and rewards that the true nature of this melancholy is revealed.



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