After the Nation: Postnational Satire in the Works of Carlos Fuentes and Thomas Pynchon, Pedro Garcia-Caro

Автор: Heike Scharm, Natalia Matta Jara
Название: Postnational Perspectives on Contemporary Hispanic Literature
ISBN: 081305494X ISBN-13(EAN): 9780813054940
Издательство: Mare Nostrum (Eurospan)
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Цена: 66840.00 T
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Описание: Taking a postnational approach, contributors examine works by Jos? Mart?, Carlos Ruiz Zaf?n, Junot D?az, Mario Vargas Llosa, Cecilia Vicu?a, Jorge Luis Borges, and other writers. They discuss how expanding worldviews have impacted the way these authors write and how they are read today. Whether analyzing the increasingly popular character of the voluntary exile, the theme of masculinity in This Is How You Lose Her, or the multilingual nature of the Spanish language itself, they show how contemporary Hispanic writers and critics are engaging in cross-cultural literary conversations. Drawing from a range of fields including postcolonial, Latino, gender, exile, and transatlantic studies, these essays help characterize a new “world” literature that reflects changing understandings of memory, belonging, and identity.

Автор: Sean Carswell
Название: Occupy Pynchon: Politics after Gravity`s Rainbow
ISBN: 0820350885 ISBN-13(EAN): 9780820350882
Издательство: Mare Nostrum (Eurospan)
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Цена: 52670.00 T
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Описание: Examines power and resistance in the writer`s post-Gravity`s Rainbow novels. As Sean Carswell shows, Pynchon`s representations of global power after the neoliberal revolution of the 1980s shed the paranoia and meta-physical bent of his first three novels and share a great deal in common with the work of Michael Hardt and Antonio Negri`s trilogy, Empire, Multitude, and Commonwealth.

Автор: Ali Chetwynd, Joanna Freer, Georgios Maragos
Название: Thomas Pynchon, Sex, and Gender
ISBN: 0820354007 ISBN-13(EAN): 9780820354002
Издательство: Mare Nostrum (Eurospan)
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Цена: 87780.00 T
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Описание: Thomas Pynchon’s fiction has been considered masculinist, misogynist, phallocentric, and pornographic: its formal experimentation, irony, and ambiguity have been taken both to complicate such judgments and to be parts of the problem. To the present day, deep critical divisions persist as to whether Pynchon’s representations of women are sexist, feminist, or reflective of a more general misanthropy, whether his writing of sex is boorishly pornographic or effectually transgressive, whether queer identities are celebrated or mocked, and whether his departures from realist convention express masculinist elitism or critique the gendering of genre.Thomas Pynchon, Sex, and Gender reframes these debates. As the first book-length investigation of Pynchon’s writing to put the topics of sex and gender at its core, it moves beyond binary debates about whether to see Pynchon as liberatory or conservative, instead examining how his preoccupation with sex and gender conditions his fiction’s whole worldview. The essays it contains, which cumulatively address all of Pynchon’s novels from V. (1963) to Bleeding Edge (2013), investigate such topics as the imbrication of gender and power, sexual abuse and the writing of sex, the gendering of violence, and the shifting representation of the family. Providing a wealth of new approaches to the centrality of sex and gender in Pynchon’s work, the collection opens up new avenues for Pynchon studies as a whole.

Автор: Chetwynd Ali, Freer Joanna, Maragos Georgios
Название: Thomas Pynchon, Sex, and Gender
ISBN: 0820354015 ISBN-13(EAN): 9780820354019
Издательство: Mare Nostrum (Eurospan)
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Цена: 35110.00 T
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Описание: As the first book-length investigation of Thomas Pynchon`s writing to put the topics of sex and gender at its core, this book moves beyond binary debates about whether to see Pynchon as liberatory or conservative, instead examining how his preoccupation with sex and gender conditions his fiction`s whole worldview.

Автор: Derek C. Maus, James J. Donahue
Название: Post-Soul Satire: Black Identity after Civil Rights
ISBN: 1617039977 ISBN-13(EAN): 9781617039973
Издательство: Mare Nostrum (Eurospan)
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Цена: 61910.00 T
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Описание: From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle`s Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity.

Автор: Derek C. Maus, James J. Donahue
Название: Post-Soul Satire: Black Identity after Civil Rights
ISBN: 1496804562 ISBN-13(EAN): 9781496804563
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
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Описание: From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community.Such works have been variously called ""post-black,"" ""post-soul,"" and examples of a ""New Black Aesthetic."" Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness.Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Tour?, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community.