Selected Relics of Japanese Art, Vol. 18 (Classic Reprint), Tajima S.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 13 (Classic Reprint) ISBN: 1397297107 ISBN-13(EAN): 9781397297105 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 13 XXIV. Landscape: Wild Geese - two plates (collotype) XXV. Waterfall (collotype) XXVI. A Hundred Demons Wandering About at Night - _two plaiesofigtxpes) XXVII. Origin of Kitano Shrine -c r.. E a va., XXVIII, Bamboos and a C'r'ane (collotype) XXIX, Pine Woods - two plates (collotypes) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 10 (Classic Reprint) ISBN: 1397296208 ISBN-13(EAN): 9781397296207 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 10 Panoramic 'pictures' of Niraya - two plates (collotype) Vanavasis an Arhat (collotype) Wooden Images of G nbo and jplo-j - twp plates (conga/m) Panoramic History ol'the-iheiji'lperiod - two plates (collotype) Bodhi-dharm'a in a.re'd Robe; (wood-cut) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Greg Robinson, Elena Tajima Creef Название: Mine Okubo: Following Her Own Road ISBN: 0295997141 ISBN-13(EAN): 9780295997148 Издательство: Marston Book Services Цена: 91080.00 T Наличие на складе: Невозможна поставка.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 20 (Classic Reprint) ISBN: 1397296399 ISBN-13(EAN): 9781397296399 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 20 The Thirty-six Poets Playing the Koto under the Trees (collotype) A Beautiful Lady Yawning Coast of Kisarazu (collotype) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 15 (Classic Reprint) ISBN: 1397296267 ISBN-13(EAN): 9781397296269 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 15 In each of the six panels there was depicted a beautiful lady standing under a tree the locks of her hair and her garments were done with feathers, but the feathers have mostly been torn off and now but little trace of them is to be seen save outlines. Some time ago, when repairing these screens, a paper was found inside of one which contained, in writing, the date 26th day, 6th month. 4th year of tempyo-shoho (august loth. From this, it is to be understood that these panels were made at some time between the 4th and the 8th years of tempyo-shoho. The faces and hands of the persons were painted in c010urs, but wherever feathers had been irsed for decorative purpose, there is nothing now but simple lines. It is probable that the trees and rocks were done in monochrome from the very first. We may distinctly trace the brushwork of these pictures. And hence get a good idea of the character of pictorial art at that time Although it was in an undeveloped state, we are led to suppose, from the method of depicting the complex character of trees and rocks, that probably they were copied from natural obiects: while the manner of representing the fissures in the rocks, suggests the influence of landscape artists of the T'ang dynasty, China. The lady playing with a jewel-shaped ball under a tree, shows the costume of the time: in this respect, it resembles the picture of Suri-devi, reproduced in the second volume of this series, and it is to be supposed that her face shows the ideal type of female beauty during the Nara era: from the suggestion of rouge on the flee, the thin black lines of the artificial high-eyebrows, the garments, and the style of dressing the hair, we get many an interesting glimpse at the customs of that remote time. Besides this: in the catalogue, the screen is described as being made with feathers, with some square Chinese ideographs on the folding-panels, and some Chinese literary compositions, all of the same material. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 2 (Classic Reprint) ISBN: 1397297662 ISBN-13(EAN): 9781397297662 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 2 The picture here reproduced is from the wall-painting of the se. Corner of the Kort-do (the Golden Hall). The subject is Cakra-varti Cinta-mani Avalokitesvara (see notes under the Avalokitesvaras of To-ii and ro-san-jl, Vol. I: he is called in japan, Nio-i-rin and is said to have been painted by Don-ch , a Corean priest, who was renowned as being versed in Buddhism and Confucianism, but especially for his skill in coloured paintingg. He together with a priest called Ho'iio was sent by the king of Corea to the Japanese court during the reign of sui-ito (610 and arrived in Nara. Just as the monastery of H -riu-ii was being completed, and before interior decorations and furnishings 'were in place. This was the time and occasion for him to exhibit his powers, and his magnificent paintings may still be seen on the walls of the Kori-do. These paintings seem to have-greatly attracted the attention of foreigners. Dr: Anderson, 'f0r instance, says that they are in their design and colouring mudh like the productions of ancient Itarian artists and that they are far superior to those of later artists. He has not only supplied the model of sacred pictures for the Kasuga school by these wall-paintings but also taught us how to manufacture paper and ink and how to use the mill stone. We are much indebted to him in both sacred and secular matters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 16 (Classic Reprint) ISBN: 1397296259 ISBN-13(EAN): 9781397296252 Издательство: Неизвестно Цена: 9170.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 16 The artist who painted these pictures copies of copis of the originals, which were destroyed long ago] is Hiro tsura Sumiyoshi, who was otherwise known by the name of Naiki, and he was a son of Hirohisa. In his youth, he had the name of Hirosada. And he died in the 4th year of Bunkyfi (t864), at the age of seventy-one. As this production is strictly copied from fixed patterns handed down from a by-gone age. It cannot be expected to display the excellence of originality; but we must be sat'sfied with looking upon the classical painting. At this time, which has carefully brought down to us the characteristics of the Kwanpei period, renewed by this artist with his forceful and skilful brush; for such representation is extant in these pictures only. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Автор: Tajima S. Название: Selected Relics of Japanese Art, Vol. 11 (Classic Reprint) ISBN: 1397296240 ISBN-13(EAN): 9781397296245 Издательство: Неизвестно Цена: 9720.00 T Наличие на складе: Невозможна поставка. Описание: Excerpt from Selected Relics of Japanese Art, Vol. 11 The Detached Palace at Nagoya was formerly used as a castle by a branch of the Tokugawa family, the head of which was the Prince of Owari province. After the Restoration it was assigned to the War Department for sometime, and was occupied by troops until the lst day of June, 26th year of Mefii when it was made an Imperial Detached Palace. We give here a sketch describing something of the history of its construction. Iyeyasu Tokugawa (the, founder of the Tokugawa dynasty of Shoguns) gave the whole province of Owari as a hcf to his ninth son, Yoshitoshi, subsequently renamed Yoshinao, with a view to having him control the administration of its affairs from Nagoya. The Nagoya castle at that time was somewhat small in size, because it had previously belonged to Nobuhid Oda, who governed but one - half of the province in his time, and therefore Iyeyasu determined to rebuild it. On the 2sth day of the ist month. I4th year of Keicho (march zud, Iyeyasu, accompanied by Yoshitoshi, came in person from Sumpu (shizuoka) to Kiyosu (near Nagoya) and in the 10th month (november) he commanded Nagakatsu Maki to examine the strategical features of Nagoya, where, in the lst month of the next year (january-february, 1610) he issued a proclamation announcing that he would build a castle. Kiyomasa Kato, Masanori Fukushima, and several other daimyo. Where instructed to superintend the work of construction. Accordingly, these great retainers of Iyeyasu gathered together at the place and put up temporary buildings in the second intercalary month (march-april, where in two hundred thousand workmen were lodged. These artizans and labourers, working day and night, soon finished the task of construction. Certain portions of the castle were assigned to particular individuals, for the satisfactory condition of which they were held responsible and to which they gave their personal attention: especially the central tower Tenshu kaltu, or donjon) was built solely under the supervision of Kiyomasa Kato, while the main edifice( liommaru, citadel) and the exterior buildings Sotoguruwa) were under the immediate care of other daimyo. In the 9th month of the same year, Yoshitoshi moved into the castle, the external construction of which was completely finished in the 12th month. It is said that one of the minor buildings - called Kuroki-shoin (literally, Black-wood Hall which stands in the ground - used to be in the gardens of Kiyosu castle, and that it was removed to Nagoya, practically intact. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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